𝔽𝕠𝕝𝕝𝕠𝕨𝕚𝕟𝕘 𝔽𝕚𝕝𝕞𝕤

Alien Outpost instantly sets itself apart from other science fiction films with its tone, in a way the film plays closer to Band Of Brothers than Starship Troopers. Not to say that the film is self important or arrogant but that its far more grounded in reality... with aliens, of course. The film is a "documentary" so we have interviews with the soldiers cut with the main action of the film. Its an effective and economic way of propelling the narrative forward without the need for clunky exposition. The characters can freely discuss what they are thinking about in a scene or give you their back story in a non distracting way because of documentary style. Here is an interview that will be featured in an upcoming episode of War Machine Vs War Horse . Alien Outpost is currently playing in limited theatrical release and available on VOD .

Two documentary cameramen embedded in an army unit in the most hostile place on Earth, an outpost surrounded by the last remaining alien fighters (Heavies) of an invading attack force. The world may have forgotten about the Outposts, but the Heavies are planning the second invasion of Earth and the soldiers are the only ones who can stop it.       WILKS (Scott Miller); BONES (Tapiwa Musvisv); ANDROS (Reiley McClendon); MAC (Lemogang Tsipa),BRICK (Michael Dube); RIGHTY (Stevel Marc); ZILLA (Kenneth Fok); LEFTY (Craig MacRea; OMO (Joe Reegan); HANS (Justin Munitz) stood in a semi circle around  SPEARS (Rick Ravenello). Alien Outpost instantly sets itself apart from other science fiction films with its tone,  in a way the film plays closer to Band Of Brothers than Starship Troopers. Not to say that the film is self important or arrogant but that its far more grounded in reality... with aliens, of course. The film is a "documentary" so we have interviews with the sol

White Hot American Summer: NETFLIX releases teaser for 8 episode series 

I was just thinking, I've been hearing about all these interesting adult films and documentaries coming out of Sundance... when are we gonna get some men in tights news? Apparently it took about 12 minutes. See you tomorrow with the latest Age Of Ultron French/Canadian teaser one sheet for Super Bowl trailer

As a group of friends discover plans for a time machine, they build it and use it to fix their problems and personal gain. But as the future falls apart with disasters, and each of them disappear little by little, they must travel back to the past to make sure they never invent the machine or face the destruction of humanity. audio from the films press conference

    How do you describe Honeychild?   Honeychild is a feature-length documentary that follows the story of an American-born woman, prostituted as a child, as she journeys across the United States with her daughter, recounting her extraordinary struggle for survival in the 1970's sex trade. Together they expose far more truths about America's children in the sex industry, than either had ever imagined possible.   How were you made aware of this story?   About 5 years ago I was going through some keepsake boxes with my mother, when we stumbled upon a box with old letters and photographs from the 1970's documenting her past. It wasn't until that moment that I realized my mother had been prostituted as a child. I was curious and wanted to know more, so began delving into her story and then also researching current events. It was then that we realized this story was bigger than either of us imagined. I gathered a team together also passionat

Based in Los Angeles, born and raised in Texas, David began studying photography, art, and music at an early age. He is a graduate of Boston University where he majored in cinematography and anthropology. His previous feature credits include: THE BLACK TULIP, for director Sonia Cole; and THE BAYTOWN OUTLAWS, starring Billy Bob Thornton and Eva Longoria. Aside from working in narrative, David has a strong body of work in commercials, documentaries, and music videos. Regardless of the type of project, his goal as a DP is to create images that not only tell the story, but affect the viewer on a subliminal level. On this episode we talk about romantic relationships with a big age difference... other than between Mike and Chris. Instead we debate two classic films in Stanley Kubrick’s LOLITA vs. Hal Ashby’s HAROLD AND MAUDE. For the deciding vote, we are very happy to have Anderson Cowan from the awesome and well-respected movie podcast THE FILM VAULT and the comedy podcast THE AFT

An overly optimistic, yet inept, alien race called the Boov led by Captain Smek invades Earth to hide from their mortal enemy and make it a new home. Convinced they are doing a favor, they begin to relocate the human race, but one resourceful teenage girl, Tip, manages to avoid capture. When on the run, she is accompanied by a banished Boov named Oh who has accidentally notified the enemies of his whereabouts.

A pair of femme fatales wreak havoc on the life of a happily married man.

Dark Summer is currently available on VOD and playing theatrically in LA click here for showtimes    On this episode of our podcast we stalk with technology, and though our methods of finding our way into your ear buds may be more advanced than Robert De Niro’s quest to get famous on a late night talk show in THE KING OF COMEDY, or Robin Williams’ photo lab obsession with an All-American family in ONE HOUR PHOTO, we hope our listeners agree that we haven’t quite reached our full stalker potential.    But before we give you too much time to consider it, we speak with director Paul Solet, who you may know previously from his acclaimed horror film GRACE, as he took the time to talk about his work and inspire our theme with his new film DARK SUMMER.

Deep in the uncharted American wilderness, trapper Hugh Glass (Leonardo DiCaprio) is severely injured and left for dead by a traitorous member of his team, John Fitzgerald (Tom Hardy). With sheer will as his only weapon, Glass must navigate a hostile environment, a brutal winter, and warring Native American tribes in relentless quest to survive and exact vengeance on Fitzgerald. Based on a true story, THE REVENANT is directed and co-written by renowned filmmaker Alejandro González Iñárritu ("Birdman," "Babel").

Bill Maher joined the war over American Sniper, saying the movie portrayed Chris Kyle as a “psychopath patriot and we love him.” American Sniper, he said, painted an unsubtle black-and-white/good versus evil/“we’re good, they’re bad” picture.

  Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe and Daniel Zovatto  David Robert Mitchell has done something truly remarkable with his follow up to the spectacular teen drama MYTH OF THE AMERICAN SLEEPOVER, he made a completely original, tense as hell thriller/horror film built on performance and atmosphere with an incredibly effective score from Disasterpeace. I'd say they don't make them like this anymore but I'm not sure they ever have made them like this. IT FOLLOWS on some level reminds me of John Crapenter's HALLOWEEN but that's mainly due to the anamorphic widescreen and the brilliant score. This is a film that's certainly aware of the horror films that have come before it but it in no way is pigeon held to them. IT FOLLOWS is f*%$ing relentless. This is in no way a "once it gets going" type film, it comes out of the gate swinging, you barely are given a chance to catch your breath. The scariest moments in this film are in th

On my drive home last night I started thinking about film scores, specifically about the copy of Sorcerer that stayed in my Ford LTD for the better part of my high school career. I didn't have many friends I would play it for because my unhealthy obsession with film was isolating enough. I didn't need my love of dour, experimental synth  music to isolate me further. Then I thought about the soundtracks to Miracle Mile and 12 O'Clock High. These scores were so much more than just movie music, they were playing in my car and in my room all the time. When I would stay up till 4am madly scribbling my terrible poetry into composition notebooks I was always listening to a soundtrack. John Carpenter, Phillip Glass and Tangerine Dream were my Rolling Stones. I hated hearing of Edgars death today because I've had a deeply personal relationship with this stranger for the better part of 20 years. I might not write any poetry today but I will certainly be listening to his music

In BIRDMAN, Alejandro G. Iñárritu’s black comedy, Riggan Thomson (Michael Keaton) hopes that by spearheading an ambitious new Broadway play he will, among other things, revive his moribund career. In many ways, it is a deeply foolhardy move – but the former cinema superhero has high hopes that this creative gambit will legitimize him as an artist and prove to everyone – and himself – that he is not just a Hollywood has-been. With the play’s opening night looming, Riggan’s lead actor is injured by a freak accident during rehearsals and needs to be replaced quickly. At the suggestion of lead actress Lesley (Naomi Watts) and the urging of his best friend and producer Jake (Zach Galifianakis), Riggan reluctantly hires Mike Shiner (Edward Norton) – a loose cannon who is guaranteed to sell tickets and get the play a rave review. As he preps for the stage debut, he must deal with his girlfriend and co-star Laura (Andrea Riseborough), his fresh-from-rehab daughter and personal assistant S

From WGA West For Wash Westmoreland & Richard Glatzer life imitates art as the married writing team battles A.L.S. while scripting the emotional drama about Alzheimer’s  Still Alice . Written by Todd Aaron Jensen (January 23, 2015) Vincent van Gogh might not have been known as a film critic, but he did once famously say, “A good picture is equivalent to a good deed.” Such is the case with  Still Alice , a good picture, to be sure, a profoundly moving drama about a linguistics professor rapidly unraveling, physically and emotionally, after developing early onset Alzheimer’s. For her work in the lead role, Julianne Moore recently won a Best Actress Golden Globe. The film, which displays its heroine’s struggles unvarnished and the relationship with her caregiver [Kristen Stewart] in blunt, but inspiring terms, enjoyed a euphoric reception at last fall’s Toronto International Film Festival. Many audience members have received the film as van Gogh might have foreseen, as a

"A story of fame addiction and a custody battle over a man's leg." Further proving that truth is indeed stranger than fiction this doc has been getting a ton of attention at this years Sundance. This happened... God Bless America. 

In the not-distant future, a disastrous radioactive event has obliterated most of civilization. Yet somewhere deep in the American South is a valley that remains untouched; evidence of a micro-climate or some other miracle. A young farm girl, Ann Burden (Margot Robbie), is grittily surviving on her own in this valley, fearing she may actually be the proverbial last woman on earth. Then, she discovers the most astonishing sight of her life: another human being. John Loomis (Chiwetel Ejiofor) arrives in the valley a cipher; a distraught scientist nearly driven mad by radiation exposure and his desperate search for others. He and Ann share little in common beyond survival. Even so, as Ann nurses Loomis back to health, they build a fragile, imperative strand of trust across the gulf between them - finding solace amidst the eerie reality of their new lives. With all the time in the world, they even dare to imagine forging a future - for themselves, for humanity. But when a stranger

From Oscar® nominated and Emmy award-winning filmmakers, RED ARMY is a feature documentary about the Soviet Union and the most successful dynasty in sports history: the Red Army hockey team. Told from the perspective of its captain Slava Fetisov, the story portrays his transformation from national hero to political enemy. From the USSR to Russia, the film examines how sport mirrors social and cultural movements and parallels the rise and fall of the Red Army team with the Soviet Union. RED ARMY is an inspiring story about the Cold War played out on the ice rink, and a man who stood up to a powerful system and paved the way for change for generations of Russians. Gabe Polsky co-directed and produced the award winning and critically acclaimed The Motel Life, starring Emile Hirsch, Dakota Fanning, and Stephen Dorff. Additional producing credits include: Werner Herzog’s Bad Lieutenant: Port of Call New Orleans, which was named in over 40 top