On this episode we protect the integrity of Precinct 13, or more accurately Precinct 9, Division 13. Shane Conner, co-host of the podcast War Machine vs. War Horse, bunkers down for a debate on the appropriate amount of cheese, how far we have NOT come in film casting since 1976, and the possibility of future remakes for this John Carpenter classic. But for now, we try to survive the 1976 and 2005 versions of ASSAULT ON PRECINCT 13.
No contemporary filmmaker has chronicled the messy human experience with the eye and ear of a comedic cultural anthropologist like JUDD APATOW. Hits as varied as those he’s directed, like Knocked Up and The 40-Year-Old Virgin, and those he’s produced, like Superbad and Bridesmaids, are all unified by their honest, unflinching, comic look at how complicated it is to grow up in the modern world. Apatow has also built a history of helping break distinctive new comedy voices into the mainstream, from Seth Rogen to Lena Dunham, among many others. Now, in his fifth feature film as a director, Apatow again brings a portrait of an unforgettable character, and a portrayal by a breakout new comedy star, together in a film written by and starring AMY SCHUMER (TV’s Inside Amy Schumer) as a woman who lives her life without apologies, even when maybe she should apologize. U n d o u b t e d ly, S c h u m e r h a s b e e n s t e a d i ly achieving cultural notoriety of her own. From her bruta
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