FOLLOWING FILMS - Podcast, Movies, Music, and More

  Written and directed by an ensemble filmmaking team including : Jennifer Reeder (Knives and Skin), Chloe Okuno (Slut), Simon Barrett (The Guest), Timo Tjahjanto (Impetigore), Ryan Prows (Lowlife), Steven Kostanski (PG: Psycho Goreman) Produced by : Josh Goldbloom, Brad Miska and Kurtis Harder (Spiral), Executive Produced by : David Bruckner (The Night House) and Radio Silence (SCREAM, Ready or Not) Starring : Anna Hopkins (“The Expanse”), Christian Lloyd (“American Gods”), Kyal Legend (“Backstage”) and Budi Ross.  The Film(s) In V/H/S/94, after the discovery of a mysterious VHS tape, a brutish police swat team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy. Holy Hell - Directed by Jennifer Reeder A story about dirty cops getting what they deserve. A satisfying wraparound that ties all the films together and gives the piece an overall sense of thematic...

Rhys lives in the zombie-infested wasteland. His job is to capture civilians and deliver them to what's left of the military. When Rhys captures a half-zombie-half-human named Grace, he comes to believe she is the key to ending the apocalypse. The latest feature from Australian filmmaking brother duo Kiah Roache-Turner and Tristan Roache-Turner, whose previous collaborations include their breakout feature debut WYRMWOOD: ROAD OF THE DEAD, which premiered at the 2014 Fantastic Fest and put them on the map internationally for their creative use of low-budget gore and highly effective horrific story, and the 2018 TIFF Midnight Madness premiere NEKROTRONIC. The two share co-writing credits while Kiah handles direction with energetic ease and Tristan produces. With a mix of new and familiar faces from the creative worlds of the Roache-Turner brothers , WYRMWOOD: APOCALYPSE stars Luke McKenzie (Wentworth, WYRMWOOD: ROAD OF THE DEAD), Bianca Bradey (WYRMWOOD: ROAD OF THE DEAD), Shantae Ba...

2019 Directed by : Alex Greenlee and  Todd Greenlee Written by :  Alex Greenlee and  Todd Greenlee Stars : Ellen Humphries, Sebastien Charmant,  Danielle Evon Ploeger, Jasper Hammer To me, the best horror films are ones where the scares are secondary. Films where you could excise all the guts, gore, and mayhem and still be left with a film. A story that stands on its own without leaning on jump scares to placate the audience. One of the more impactful moments in HOME WITH A VIEW OF THE MONSTER  is when a character confronts someone about babyproofing a house, that's it, not a beheading or a cat jumping out of a closet, but a moment that introduces an idea, an idea that informs not only the character who is being observed but the character who is doing the observing as well.  I won't go into the exact details of the film because one of the sheer joys of Alex and Todd Greenlee's feature-length debut is discovering how each chapter of the film inform...

Today I'm joined by Hazel Doupe. She is best known for her role as Frances, an Irish Traveller teen who idolizes boxing legend Muhammad Ali and trains herself to become a boxer in the 2018 film Float Like a Butterfly, which premiered at the 2018 Toronto International Film Festival.  In 2021, Doupe portrayed Ingrid in the RTÉ One thriller drama series Smother, which also starred Dervla Kirwan, Niamh Walsh, Seána Kerslake and Gemma-Leah Devereux . I had Hazel on the show to discuss her latest film You Are Not My Mother. The film is currently in select theatres and on-demand.

Directed by Chris Sivertson (I Know Who Killed Me, All Cheerleaders Die) Written by Carol Chrest (The Prophet’s Game)  Starring Christina Ricci (“Yellowjackets,” The Matrix Resurrections, Buffalo '66, Casper) Colleen Camp (Sliver, Clue, Die Hard With a Vengeance) Santino Bernard (8-Bit Christmas, Penny Dreadful: City of Angels, “Bing”) Don Balderamos (Suburbicon, “Castle”) Nick Vallelonga (Green Book, The Many Saints of Newark, The Birthday Cake) A terrifying new horror awaits Laura (Christina Ricci) and her seven-year-old son Cody when they flee her abusive ex-husband and try to settle into a new life in an idyllic and remote lakeside farmhouse. Still traumatized, their physical and mental well-being are pushed to the limit as their fragile existence is threatened.  

  Today I’m joined by Jocelin Donahue to discuss her latest film OFFSEASON.  The film is about a woman who quickly returns to the isolated offshore island where her late mother is buried after receiving a mysterious letter that her mother’s gravesite has been vandalized. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, She soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive. OFFSEASON will be In Select Theaters, On Demand and Digital: March 11 Thank you to Bookmans for sponsoring the show and Fort Worth for letting me use their song at the end!!!

  Studio 666 is an upcoming supernatural horror comedy film directed by B. J. McDonnell, with a screenplay by Jeff Buhler and Rebecca Hughes, based on a story from Dave Grohl. Grohl stars in the film alongside his Foo Fighters bandmates Taylor Hawkins, Nate Mendel, Pat Smear, Chris Shiflett, and Rami Jaffee, while Whitney Cummings, Leslie Grossman, Will Forte, Jenna Ortega and Jeff Garlin co-star. Studio 666 also marks the first film to feature the Foo Fighters that is not a documentary: The band were previously the subject of 2011's Foo Fighters: Back and Forth and 2014's Foo Fighters: Sonic Highways. The film is scheduled to be released in the United States on February 25, 2022, by Open Road Films. Today I had the chance to speak with producers John Ramsey and James A. Rota about their work on STUDIO 666.

  Today I'm joined by Barbara Crampton to discuss ALONE WITH YOU. As a young woman painstakingly prepares a romantic homecoming for her girlfriend, their apartment begins to feel more like a tomb when voices, shadows, and hallucinations reveal a truth she has been unwilling to face. In Theaters February 4, 2022 and On Demand, Digital and DVD February 8, 2022

  Could not be more excited for this one!!!!

On this ungodly long episode of Cinematic for the People, we along with special guests Jeff Broitman, Clinton Cornwell, Christina Johnson and Nathan Uhlig take a look at new releases Steve Jobs, Goosebumps, The Final Girls, and Rock the Kasbah. We then wrap up our October Horror Movie segment with Diabolique(1955) and A Nightmare on Elm Street (1984). Hope you enjoy and always remember you can use our guide below to skip forward in the episode. God knows that's what I do. 00:56- Steve Jobs 27:47- Goosebumps 45:39- The Final Girls 57:14- Rock the Kasbah 1:19:55- Halloween Segment, Diabolique (1955) & A Nightmare on Elm Street (1984) 1:43:32- Outro and Preview for Next Week 

Love, madness and a mystery consume a newlywed couple who’ve embarked on their honeymoon at a lakeside cabin in the woods. What begins as a picturesque excursion for Bea (Rose Leslie) and Paul (Harry Treadaway) soon descends into a nightmare when the new bride disappears in the middle of the night. After a tense search, she is discovered in the woods by her groom; nude, bruised and incoherent. He is immediately alarmed and when he questions her over what has happened she rebuffs his curiosity, initially blaming it on an episode of sleepwalking. It’s an explanation that seems adequate until her behavior becomes increasingly erratic and despondent. Her physical condition rapidly deteriorates and the question of what ails her, casts a dark specter over their celebratory trip and the future of their marriage. Bea and Paul have an idyllic relationship: playful, caring and lighthearted. First-time director Leigh Janiak spends most of the film’s opening getting viewers to invest in t...

The first horror films I remember are the ones whose names I can barely recall. They were gory, filled with sex and defiantly inappropriate for a 12 year old. I'm not talking about The Shinning or The Exorcist, those were films that I could watch with my parents. The movies I'm talking about were dangerous, I wasn't allowed to watch them. I would go to the video store and find films based solely on the box art. These films rarely lived up to the images used to sell them but it didn't matter, the promise of might be was enough. I took films like; Sleepaway Camp, Sorority Babes at the Slimeball Bowl-O-Rama, Class of Nuke Em High, and Chopping Mall seriously. I didn't watch them like some douche bag hipster with a detached sense of irony, nope Phantasm was my Citizen Kane. My taste has matured (slightly) but those films will always hold a special place in my heart. I've seen tons of modern films that try to call back to the B-Movie masterpieces of my y...

A pair of femme fatales wreak havoc on the life of a happily married man.

  Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe and Daniel Zovatto  David Robert Mitchell has done something truly remarkable with his follow up to the spectacular teen drama MYTH OF THE AMERICAN SLEEPOVER, he made a completely original, tense as hell thriller/horror film built on performance and atmosphere with an incredibly effective score from Disasterpeace. I'd say they don't make them like this anymore but I'm not sure they ever have made them like this. IT FOLLOWS on some level reminds me of John Crapenter's HALLOWEEN but that's mainly due to the anamorphic widescreen and the brilliant score. This is a film that's certainly aware of the horror films that have come before it but it in no way is pigeon held to them. IT FOLLOWS is f*%$ing relentless. This is in no way a "once it gets going" type film, it comes out of the gate swinging, you barely are given a chance to catch your breath. The scariest moments in this film are in th...

DARK SUMMER  combines elements of films that have come before it but presents them in a way that gives us something new and completely original. Yes, this is a genre film but much like Paul Solets first film GRACE this is a shocking story that puts character and performance first.  Daniel Austins (Keir Gilchrist) obsessive online stalking of his classmate and crush, Mona Wilson (Grace Phipps), leads to his house arrest for the whole summer. Daniel is a modern technology obsessed teenager. So now he will spend his summer vacation with; no cell phone, no Internet, no access to the world beyond his property, and perhaps most devastating of all no Mona . As an adult its easy to dismiss teenagers. We often forget the depth of emotion that we felt during this time in our lives. When you feel the loss of love for the first time it feels like it will never end. When you feel isolation or loneliness it feels like you are in solitary confinement. This is mostly becau...