FOLLOWING FILMS

1988-2010 Starring: DAVE FOLEY, BRUCE McCULLOCH, KEVIN McDONALD, MARK McKINNEY, and SCOTT THOMPSON Mill Creek Entertainment will release the complete collection of The Kids In The Hall content on DVD February 6, 2018. This complete collection will include all 100+ episodes from the show’s five-season run in addition to the reunion series Death Comes to Town with a host of bonus features including interviews, commentaries, archival footage and more! This disarming comedy show will be offered in a 12-DVD set and will be available for a list price of $69.98. The Canadian-bred comic geniuses stretched sketch comedy to its ultimate limits with hilariously off-the-wall results achieving critical and fan acclaim.  From the infamous Chicken Lady and Cabbage Head to Buddy Cole and the Headcrusher, the pioneering, edgy and ever-charming comedians created the most unhinged, unprecedented and unpredictable acclaimed cult series. The series debuted as a one-hour pilot specia...

After finishing his film Weekend in 1967, Jean-Luc Godard shifted gears to embark on engaging more directly with the radical political movements of the era, and thus create a new kind of film, or, as he eventually put it: "new ideas distributed in a new way." This new method in part involved collaborating with the precocious young critic and journalist, Jean-Pierre Gorin. Both as a two-person unit, and as part of the loose collective known as the Groupe Dziga Vertov (named after the early 20th-century Russian filmmaker and theoretician), Godard and Gorin would realize "some political possibilities for the practice of cinema" and craft new frameworks for investigating the relationships between image and sound, spectator and subject, cinema and society. Included here are five films, all originally shot in 16mm celluloid, that serve as examples of Godard and Gorin's revolutionary project. Un film comme les autres [A Film Like Any Other] Discussions betwee...

1978 Directed by - Federico Fellini A documentary television crew interviews musicians preparing for a rehearsal in a rundown church that doubles as a makeshift auditorium. Durning the interviews the musicians interrupt one another and show outright contempt. Each musician believes their instrument is the most vital to the success of the performance and calls the other performers talent and integrity into question. The conductor barks orders with an affected German accent to drive home his authoritarian role in the orchestra. He has conflicts with both the musicians and the labor reps who are overseeing the proceedings. The tension is immediate and eventual spirals into chaos and revolution. Orchestra Rehearsal is overtly political and satirical in its execution. Connections to our current political climate are in fact easy to make. This is one of Fellini's funniest and most thoroughly entertaining efforts. Rich imagery and expressive ...

George Romero's name may be synonymous with the living dead subgenre, but his filmography is far richer and more varied than his reputation as "the zombie guy" would suggest. Following the breakout success of his debut feature Night of the Living Dead, the director would embark upon a series of projects which demonstrate a master filmmaker with more than mere gut-munching on his mind. In There's Always Vanilla, young drifter Chris and beautiful model Lynn embark upon a tumultuous relationship which seems doomed from the outset. Season of the Witch (released theatrically as Hungry Wives) follows the exploits of Joan Mitchell - a housewife who seeks to escape the confines of her humdrum suburban existence through a flirtation with witchcraft. Lastly, The Crazies sees Romero returning to firmer horror territory as a small rural town finds itself in the grip of an infection which send its hosts into a violent, homicidal frenzy. Taken together, these three films, m...

2017 Directed by: Chad Meisenheimer Starring: Tommie Vegas, Sarah Rhoades, and Brady Bond Setting NITE NITE in 1985 is clearly an homage to the babysitter slasher films of that era. Iconic films like HALLOWEEN and WHEN A STRANGER CALLS have influenced most horror films of the last 40 years, and Chad Meisenheimer's film   is no exception. This 3.5 minute short follows a 7-year-old boy (Bond) who tries to convince his babysitter (Vegas) there is a monster is in his room.  While the plot (and electronic score) might sound like John Carpenter the execution is something more akin to Tom Holland's 1985 horror/comedy masterpiece FRIGHT NIGHT . Meisenheimer injects a playfulness into his film that is never overt or distracting. He allows Bond to play with his character in a way that's difficult to read and gives the film its greatest strength. Ambiguity. Is our young boy scared or malevolent?  Short films can be forgiven al...

2017 Directed by: Stephen Gyllenhaal Starring: Talitha Bateman, Alfre Woodard, John Heard, Jessica Collins, Jacinda Barrett, Dash Mihok, and Cloris Leachman When we don't talk about our past we can't expect to understand our present. There is always a story on how we got here and the people who brought us. Our medical histories, sense of identity, cultural heritage, and family gossip deeply affect and shape who we are. The most important journeys we take are the ones where we start by looking in. Based on the bestselling YA novel by the same name, SO B. IT follows Heidi (Bateman), a precocious young girl who embarks on a journey across the country to uncover the story of her mother’s past and discovers herself along the way. Hedi is raised by her mentally disabled mother (Collins) who only uses 22 words and her agoraphobic neighbor (Woodard) who tries to protect her from inside their joined apartments. SO B. IT is structured as something of a mystery, with the sto...

1963 Directed by: Herschell Gordon Lewis Starring: William Kerwin, Mal Arnold, and Connie Mason A film like BLOOD FEAST should be considered within the time it was made. While not brilliantly executed it’s still an important window into what the US (or at the very least, its film) was like in the early 1960’s. Considered the first splatter film, BLOOD FEAST is a surprisingly gory tale woven together with groundbreaking makeup effects and amateur acting. The effects are in no way as slick as the ones we see today, but the way Lewis lingers on them will make the most hardened horror fan squeamish. You’ve probably heard of the tongue gag in the film, and yes it’s as stomach turning as you might expect. Dorothy Freemont is a socialite looking to throw a party that people will remember. She decides to hire Fuad Ramses to cater the soiree after he pitches her the idea of an “Egyptian” feast. What she expects is an authentic “ethnic” experience the invitees will talk about for ...

2017 Directed by: Angus MacLachlan Starring: Amy Ryan, Terry Kinney, Francis Guinan, Max Gail, and Steve Coulter A week after Tracy (Amy Ryan) and Jesse (Terry Kinney) bury their father on the family tobacco farm, three strangers show up to make a claim on the land. MacLachlan’s deeply personal follow-up to 2014’s GOODBYE TO ALL THAT is an intimate meditation on grief and legacy. Tracy and Jesse see the visitors in a different light. To Tracy, the visitors are interlopers who have no right to her family’s farm. Nothing more than a nuisance, who she asks to leave in subtle and overt ways. Jesse, a man of faith, views this as a chance at redemption. A way to right a wrong in their families past. People react to death in all kinds of ways, and the death of a parent can be especially volatile. It isn’t uncommon for one person to feel a range of emotions in a single day while another remains in shock and disbelief . MacLachlan beautifully captures this dichotomy in the ...

From the mind of celebrated horror author Stephen King, the man behind such classic terror tales as THE SHINING , CARRIE, and IT , comes one of his most iconic offerings- CHILDREN OF THE CORN . This was a film that prior to this release I'd only seen on VHS. I remember renting this film when I was about 11 or 12 and it was the most brutal film I'd ever seen. The meat slicer scene thoroughly scarred my impressionable young psyche. I buy sliced lunch meat from the deli every Saturday and I always think about this film when I watch the butcher do his thing. Revisiting this film close to 30 years later, I went in with some trepidation. I didn't want to undo the impression this film had left on me. I didn't want to see it as a schlocky B film with dated effects and TV movie of the week acting. Fortunately, CHILDREN OF THE CORN rose to the occasion and stood up surprisingly well. A painstaking 2K restoration from the original negative gives the film a polished look th...

2017 Directed by: Fenar Ahmad Starring: Dar Salim Country: Denmark A motion picture about requital that puts aside its comeuppance for as long as possible, DARKLAND highlights a deep dive into character that revenge tales rarely allow. Fenar Ahmads' disturbing follow-up to Ækte vare does deliver on its promise of a masked vigilante, but not before exploring all the loss, guilt and even internal prejudice driving a well-to-do doctor Zaid (Dar Salim) down a path of both self-destruction and violence against his own people. Zaid, the child of Iraqi migrants, has had it great in Denmark. He's an all-around happy guy. A well-regarded specialist and an eager father living in the midst of the more elite classes of white European culture; he's moved far from his parents neighborhood and its nearby Arab gangsters. His more youthful sibling Yasin wasn't so fortunate, using petty theft and low-level drug dealing just to remain above water. He turns to Zaid after getti...

2107 Directed by: Ryuhei Kitamura Starring: Kelly Connaire, Stephanie Pearson, Anthony Kirlew, and Rod Hernandez Kitamura wastes no time in DOWNRANGE. The tension in the film starts almost immediately and never lets up. I felt like I was holding my breath for 89 minutes, this film is utterly relentless. Six college-aged students are taking a cross-country trip when they have a blow out on one of their tires. In the middle of changing that tire, they happen across the shell casing from a long range rifle and realize, it wasn't a blowout. The tire had been shot. Within moments bullets are flying towards the young travelers and they are pinned down. Unable to move out from behind the vehicle, the elusive sniper unloads a barrage of fire. On an empty rural road, in the middle of nowhere, with inconsistent cell service, they are alone with this determined assassin. Their only hope seems to wait him out, to see if another car happens along th...

2017 Directed by: Brian Cavallaro Starring: Hannah Kleeman, Tim Tore, Luke Persiani and Frank Whaley Hank is an ambitious young filmmaker who convinces a group of his friends to set out "ghost hunting" in an abandoned prison. He pays them each $200 so can film them and use the project as a calling card to move on to bigger things. Or what he sees as undertakings more worthy of his perceived talent. He wants to make it as a legitimate director but in his estimation, the only way to make money in indie film is in ghost hunting and porn. I'm not sure if the location was found or built but it goes a long way in separating AGAINST THE NIGHT from other genre films. The prison is dripping with a rich history that feels somehow lived in and forgotten. The characters even mention how filming in this location will add "production value" to their project, and it does. The prison is setup like a wheel with the guard's station being the circular center and the...

2017 Directed by: Ingrid Veninger Starring: Charlotte Salisbury and Lucinda Armstrong Hall PORCUPINE LAKE opens on Bea (Salisbury) as she rests in the back of her parent’s station wagon, peacefully unaware of the quiet tension that fills the front half of the vehicle. The juxtaposition of a picturesque countryside and her parent’s uncomfortable silence evokes a strange feeling of melancholy while staring through the lens of something utterly beautiful. The family is traveling across a Norman Rockwell like landscape to take over a restaurant bequeathed from Bea’s grandfather. The “Snack Shack”, situated in Port Severn Ontario, represents a missed opportunity for this struggling young family to start over. Scotty sees this as a chance to fix up the place and make a go of it, while Ally is only interested in selling. Ally and Scotty, absorbed with their own problems and mounting tensions from the restaurant leave Bea mostly to her own devices. One morning, while Bea...

1982 Directed by: J.S. Cardone Starring: Sarah Kendall. Fredrick Flynn, and Carol Kottenbrook IS IT A NIGHTMARE? OR IS IT... THE SLAYER? Amongst genre fans, THE SLAYER is the stuff of legends. Not 1985's Larry Choen film THE STUFF but rather a legendary slasher film that is often cited as one of most influential horror films of the era. Previously only available on home video in truncated or full-screen versions, THE SLAYER (whose nightmares-seeping-into-reality theme predates a certain Wes Craven classic by several years) comes lovingly restored from the original negative in a stunning transfer that will be a revelation to fans both old and new. A pair of young couples heads off to a remote island home for what by all designs should be a relaxing vacation. But all hopes for a peaceful getaway are short-lived: as a storm threatens the island, anxious artist Kay can't shake the feeling that an unnatural force is in every corner of the island, aware of their...

2017 Directed By: Kyle Eaton Starring: Robert A. D'Esposito, Katie Michels, Jon Titterington We've all had a moment where we just didn't know when to stop. When we've said too much, not taken the time to read the people we are interacting with, and just refused to get out of our own way. Anthony perpetually lives in that moment. His anxiety causes him to spew information all over the people he crosses paths with and letting words out seems to be something of a pressure relief. The only problem is the tool he uses to avoid anxiety creates situations that are highly uncomfortable and induce more anxiety. After being fired and dumped in quick succession Anthony heads to his family's remote timeshare to get some time alone. Much to his surprise he finds an old family friend Tim, a college professor who has a predilection for straight vodka at 2 in the afternoon, in the house. The two men are clearly using their families secluded co-op to avoid their current sit...

2017 Directed by: Steven Soderbergh Starring: Channing Tatum, Adam Driver, Katie Holmes, and Daniel Craig 30 years into to his critically and commercially celebrated career Steven Soderbergh shocked film fans around the world four years ago when he announced his retirement from movie making. One of the most successful directors in Hollywood decided to focus his creative energy on television projects after BEHIND THE CANDLEABRA failed to secure a theatrical release. LOGAN LUCKY marks Soderbergh's return to the big screen. He credits this decision to “a convergence of a couple of things, one technological, and one creative.” His frustration with the release models that all the major studios subscribe to pushed him out of their system but when he saw digital technologhy could allow a filmmaker to put a movie in wide release without involvement from a major studio, he wanted back in. On the creative side the screenplay written by Rebecca Blunt was originally given to Soderber...

1980 Directed by: Dusty Nelson Starring: Tom Savini, Joe Pilato, and John Harrison Certain genre fans will have nostalgia, not only for oddball films that might not stand up to the test of time, but for special effects from those films. When I've shown friends the original DAWN OF THE DEAD a common comment is that the blood looks fake. I grew up with that melted crayon looking blood and it holds a special place in my heart. It doesn't have the same effect as CGI squibs exploding into the camera lens but it does have a tactile nature that computers haven't been able to replicate. I was aware that Tom Savini did the makeup for EFFECTS, but I was genuinely surprised when I saw a blood effect from DAWN OF THE DEAD in this film. It would be like taking a drive through Pittsburgh and accidentally happening across the Monroeville Mall. I was taken back to a middle school version of myself, but while watching something I've never seen before. Cobbled together with loos...

2017 Directed by: Michael O'Shea Starring: Eric Ruffin, Chloe Levine, and Aaron Moten Very seldom is a vampire film, just a vampire film and more often than not a genre film is not just a genre film. Writers and directors have used the macabre to explore ideas and comment on society in ways that mainstream films ignore. First-time feature director Michael O'Shea has used the vampire myth in THE TRANSFIGURATION to explore poverty, violence, gangs, rape, and the many facets of inner city adolescence. It's clear from the get go that O'Shea is fully aware of the blood sucking tropes that fill this particular sub-genre of horror films. He isn't nervous about subverting those standards or using them as he sees fit. It's knowledge of what has come before that allows O'Shea to make something unique that stands completely on its own. Milo (Eric Ruffin) is an isolated teenager living in a densely populated city. An outlier that doesn't fit in with the oth...

BIRTHDAY 2017 Directed by: Alberto Viavattene Italy Night. An abusive nurse wanders through the halls of a nursing home. She integrates her salary by secretly selling prescription drugs to junkies and stealing from the most vulnerable patients. The only thing she hates more than her job is old people. Upon entering room 12, occupied by three sisters, she discovers that one of them has just turned one-hundred years old: there must be a birthday present somewhere… that will change their lives forever. THE PECULIAR ABILITIES OF MR. MAHLER 2017 Directed by: Paul Philipp Germany East Germany 1987: Special investigator Mahler, who is said to possess paranormal abilities, is assigned to solve the case of a missing 6-year-old before this issue leads to political tensions with the West. PUMPKIN 2017 Directed by: Jay Rathore Canada Eric is your average suburban teenager, obsessed with the internet and constantly glued to his phone. ...

RONIN. Noun, historical. A samurai who no longer serves a daimyo, or feudal lord. From director John Frankenheimer (SEVEN DAYS IN MAY, THE MANCHURIAN CANDIDATE) comes RONIN, a pulse-pounding, action-packed crime thriller featuring an all-star cast headlined by Robert De Niro (TAXI DRIVER, HEAT) and Jean Reno (LEON: THE PROFESSIONAL). On a rain-swept night in Paris, an international crack team of professional thieves assembles, summoned by a shady crime syndicate fronted by the enigmatic Deirdre (Natascha McElhone, The Devil's Own). Their mission: to steal a heavily guarded briefcase from armed mobsters, its contents undisclosed. But what begins as a routine heist soon spirals into chaos, with the group beset by a series of double-crosses and constantly shifting allegiances, and it falls to world-weary former CIA strategist Sam (De Niro) and laconic Frenchman Vincent (Reno) to hold the mission together. A latter-day return to form for Frankenheimer, the film evokes the sam...