𝔽𝕠𝕝𝕝𝕠𝕨𝕚𝕟𝕘 𝔽𝕚𝕝𝕞𝕤

“ Fight Like a Girl is about women making the choice to stand up and fight for their life” -Huffington Post, Gerry Gavin "Morley views the sport and women in the ring with a steady, knowledgeable eye that can only be derived from participatory knowledge gained inside the ropes." -WBAN, Bernie McCoy   WHAT: WORLDWIDE VOD and DVD Release of Fight Like A Girl   WHERE: www.FightLikeAGirlTheMovie.com   WHEN: NOW Why would a woman step into the ring, don the gloves and risk her life in front of a blood hungry crowd? In a gritty, first-person narrative, shot over a period of five years, award winning filmmaker Jill Morley delves inside the little-known world of female boxers to meet the women who are passionate about fighting hard. She gets pulled into this culture as she trains for the New York Golden Gloves. From world champions to amateurs, Morley discovers that there’s a common thread in eac

The hit movie out of the Sundance Film Festival, DOPE tells the story of Malcolm (Shameik Moore) who is carefully surviving life in a tough neighborhood in Los Angeles.  A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself.  Produced by Forest Whitaker, Executive Produced by Pharrell Williams and Co-Executive Produced by Sean Combs.

Healy was born in Chicago, Illinois. He played the lead character "Craig" in E.L. Katz’ dark comedy thriller Cheap Thrills, and substantial central roles in Ti West's The Innkeepers, Craig Zobel's Great World of Sound, and Compliance (also directed by Zobel). He has also appeared in memorable supporting roles in Magnolia (as the pharmacist at the receiving end of Julianne Moore's profane meltdown), Ghost World, The Assassination of Jesse James by the Coward Robert Ford, Harmony and Me, Dirty Girl, Snow Angels, Rescue Dawn (2006), Undertow, Pearl Harbor, and Home Alone 3. He also appeared in Captain America: The Winter Soldier and Draft Day starring Kevin Costner. On television, he has starred on Eagleheart, and appeared on Six Feet Under, Star Trek: Enterprise, 24, Grey’s Anatomy, The Shield, CSI: Crime Scene Investigation, Without a Trace, NCIS, Cold Case, Charmed, CSI: Miami, Chicago Hope, NYPD Blue, and The Practice. Pat has written three episodes of

Rich people live in a different world than I do. Their actions carry a different weight and the physics of my universe in no way apply to them. I live in a world of consequences and stifled exploration or impulse. We've seen the rich brats behaving badly (pardon the alliteration) story executed in many ways and the part of it that we never really discuss is why we like them. Why are we compelled to watch people who can do whatever they want? Why are we fascinated by these disconnected assholes? What do we like about them? I'm fully convinced that its the things that we hate about them that make them so interesting. That they breathe rarefied air and have no idea what it feels like to sweat a mortgage payment. I wouldn't go as far as to say that we envy them but we do like to project ourselves into their fine Italian leather shoes, to wonder what it would feel like to live without regard or fear. With that lets discus The Riot Club. The film is directed by the brillia

On this episode we follow the first 2015 critical sensation IT FOLLOWS with two films that aren’t very much like IT FOLLOWS but have a following theme in WINGS OF DESIRE vs. FOLLOWING and are members of The Criterion Collection. But as you will see in our reviews of these three films, the new horror movie is by far the most deserving of that status. We also shamelessly plug our website Following Films . Oh wait you're already here.

14-year-old Mackenzie is sent by her mom from her home in Seattle to spend the summer with her uncle in Juneau, Alaska. His kindness is almost overwhelming as he welcomes her into his Juneau, Alaska home but still a foreboding hangs over the home and their relationship. Mackenzie longs for her struggling absent mother. As her mom's phone calls become less frequent and her Uncle's care becomes anything but caring, she must flee. With no one to turn to, Mackenzie runs away after a hike around a local Juneau glacier. On her own and haunted by desperate phone calls and text messages from her Uncle, Mackenzie escapes into the town of Juneau which she soon discovers is not an easy place to escape being cut off from everywhere by the sea and mountains. Seeking a way back to Seattle, Mackenzie encounters Rene Bartlett while hiding out at a motel. He is gruff and keeps to himself and wants nothing more than to be on his own. Learning that Bartlett is also from Seatt

Los Angeles, October 1971. A small film, made for television, is being shot near LA under the direction of a young and unknown director. The film tells the story of “a man, a truck and an open road”. It has attracted no attention at all. It's not based on a famous book. It has no stars. It has a modest budget. It will be filmed in only 13 days. But film lovers all over the world will still show their admiration for it more than four decades later. The film is called DUEL. HOW IS IT POSSIBLE THAT A FILM MADE FOR TV IN 1971, WITH NO BUDGET, SHOT IN RECORD TIME, WITH NO BIG FILM STARS AND A ROOKIE DIRECTOR HAS BECOME THE CULT ICONIC MOVIE THAT IT IS TODAY? IN OUR DOCUMENTARY, FIVE FANS FROM DIFFERENT COUNTRIES WILL CONVENE IN THE USA AND TRAVEL ACROSS THE COUNTRY TO FIND OUT WHY.