FOLLOWING FILMS - Podcast, Movies, Music, and More

Physical media collectors have a lot to look forward to this May, as we pull back the curtain on a release slate that balances heavy-hitting franchises with some long-awaited cult treasures. From anniversary SteelBooks to rare international tokusatsu, the lineup for next month covers a lot of ground for those of us still dedicated to the spinning disc. The headline for many will undoubtedly be the arrival of Fallout: Season Two on physical formats. In an age where streaming content can vanish into the digital ether, seeing a major series get a dedicated 4K SteelBook treatment is always a relief. But the real "water cooler" talk for genre enthusiasts is the surprise inclusion of early '90s international Ultraman series. These have been glaring omissions for collectors for years, and seeing them finally get a Blu-ray home is a testament to the fact that labels are still listening to the niche markets. May 2026 Release Calendar May 5, 2026 Top Gun (40th Anniversary Limited E...

Johannes Roberts has never really gone for subtlety, and with Primate (2026), he is insn't dealing with any greys. This is a movie that’s all bite, lean, mean, and not here to hold your hand. If 47 Meters Down was about the terror beneath the ocean, Primate brings the monster right into your living room, twisting home into a place you can’t trust. Since it hit theaters earlier this year, it’s already sparked plenty of arguments. People either love its throwback, practical-effects bravado or walk out queasy. Either way, it’s a bloody good time, if that’s your kind of thing. The story is a straightforward slasher meets creature-feature. Lucy, played by Johnny Sequoyah, heads back to her family’s fancy Hawaiian clifftop estate, hauling along a mixed bag of college friends. Some supportive, some flirtatious, some just there to die dramatically, classic setup. But the real focus isn’t just on her stoic dad, Adam (Troy Kotsur, who brings real soul), or her little sister Erin. It’s Ben, t...

One of the most rewarding parts of this show is getting to highlight filmmakers who possess a truly distinct, non-formulaic voice, and today’s guest is a perfect example. Recently named one of Variety’s 2026 Directors to Watch, Chandler Levack is having a massive moment with two films hitting screens this week. On one hand, there is her indie festival darling, Mile End Kicks, a raw and vibrant portrait of a young writer finding her footing in the Montreal music scene. On the other, she is making her studio debut with the Netflix comedy Roommates. While it features a massive ensemble—including Sadie Sandler, Chloe East, Sarah Sherman, and Natasha Lyonne—it manages to elevate the traditional college freshman comedy into something far more poignant and relatable. Chandler’s background as a music and arts journalist for publications like SPIN and The Village Voice brings a unique texture to her filmmaking, and I’ve been eager to dive into her process. Today, we’re talking about the transit...

If you were a teenager in the mid-90s with a penchant for classic rock and a somewhat questionable haircut, chances are you found a VHS copy of The Stoned Age (1994) shoved in a corner of your local Blockbuster, right between Spinal Tap and some direct-to-video horror flick. For years, I was one of those people who looked at the cover, two guys in a beat-up blue van, and immediately rolled my eyes. I dismissed it as a desperate, low-rent Dazed and Confused knock-off. On the surface, the DNA is undeniably shared: it’s a period-piece "hangout" movie set in the 1970s, fueled by a soundtrack of heavy riffs, centered on the eternal quest for beer and girls, and steeped in the hazy atmosphere of suburban aimlessness. But after finally sitting down with Joe and Hubbs for ninety minutes of "schnappiness," I realized I was wrong. While Linklater’s masterpiece is a sweeping, multi-character tapestry of nostalgia and philosophy, The Stoned Age is something far more concentrate...

The grit of the 1990s East Bay punk scene is more than just a backdrop in the upcoming project inspired by Rancid’s seminal album, And Out Comes the Wolf. Big Newport Studios and Z2 have officially joined forces to expand this world through a companion graphic novel that serves as a visceral extension of the feature film. Adapted by artist and writer Kevin Mellon from a script by Danny Peykoff and the Neese Brothers, the narrative explores the desperate intersection of poverty, drugs, and the raw ambition to escape a decaying city. It is a story rooted in the tension between dreams and a violent reality, centered on two friends navigating a landscape filled with predators while facing the haunting question of who survives when the wolf finally arrives. For creators Jason and Jamie Neese, the transition from film to the printed page is a full-circle moment. Jamie Neese noted that comics were his original gateway into cinema, making this partnership with Z2 a natural evolution for a stor...

The legacy of Fred Ross Sr. is often described as the invisible scaffolding behind some of the most significant civil rights victories in American history. From mentoring legendary figures like Dolores Huerta to laying the groundwork for landmark desegregation cases, Ross’s grassroots methods proved that collective action could dismantle systemic barriers. Now, that story is coming to the big screen as Abramorama has officially acquired the North American theatrical rights to the documentary American Agitators. Directed by award-winning filmmaker Raymond Telles, the film serves as both a historical record and a modern call to action. It traces Ross’s influence from his early days in Los Angeles, where his organizing efforts helped set the stage for Mendez v. Westminster—a precursor to the Supreme Court’s ruling in Brown v. Board of Education. Narrated by playwright Luis Valdez, the documentary connects these 20th-century victories to the urgent labor and voting rights movements happeni...

The upcoming release of Mārama marks a significant moment for Indigenous cinema, blending the atmospheric dread of Victorian Gothic horror with a fierce Māori perspective on retribution. Directed and written by Taratoa Stappard, the film is set to hit select theaters on April 17, following a celebrated festival run that included stops at TIFF, Sitges, and AFI Fest. This release is a collaborative effort between Dark Sky Films and Watermelon Pictures, signaling a new partnership under the MPI Media Group banner focused on bringing fearless and boundary-pushing stories to the big screen. The story transports audiences to North Yorkshire in 1859, where a young Māori woman, played by breakout lead Ariāna Osborne, is summoned from New Zealand only to uncover a harrowing colonial heritage. As she navigates the cold landscapes of Victorian England, she finds herself locked in a struggle to reclaim her identity and culture. Her journey eventually leads to a necessary confrontation with a title...

When Parks and Recreation first hit the air, Chris Pratt’s Andy Dwyer was the soul of the show. He was the lovable, dim-witted goofball who lived in a pit and played in a band called Mouse Rat. There was an inherent, puppy-dog vulnerability to Pratt back then, a human-ness that felt unmanufactured. We rooted for him because he felt like the guy next door who just happened to be hilarious. Fast forward to 2026, and the Pratt-ification of Hollywood has moved into a sophisticated and effective new phase with Mercy. Directed by Timur Bekmambetov, this is a screenlife techno-thriller that feels less like a movie and more like a high-stress Zoom call from hell, and it is here that Pratt finds a way to weaponize that old Pawnee charm into something far more visceral. The film is set in a grim, near-future Los Angeles. Pratt plays Detective Christopher Raven, a man who has spent his career championing the Mercy program, an AI-driven judicial system designed to eliminate human bias and legal re...

Rupert Wyatt is a filmmaker who understands the weight of a landscape. From the overgrown urban decay of Rise of the Planet of the Apes to the pressure-cooker tension of The Gambler, he has a knack for making the environment feel like a primary character. With the first trailer for Desert Warrior, Wyatt is turning his lens toward seventh-century Arabia, and the scale looks appropriately massive. The footage introduces us to Princess Hind, played by Aiysha Hart (We Are Lady Parts), a figure who refuses to be traded away as a concubine to the ruthless Emperor Kisra. This isn't just a domestic dispute; it’s the spark for a historical pivot point. Sir Ben Kingsley appears to be leaning into the menace of Kisra, providing a formidable anchor for the conflict. When Hind flees into the desert with her father, the trailer shifts gears into a survivalist epic, eventually bringing her into the orbit of a legendary bandit played by Anthony Mackie. Mackie has been busy lately with high-concept...