The first half of Takashi Miike's 1999 masterpiece Audition behaves like a melancholic, slightly clinical romantic drama. It details the quiet life of Shigeharu Aoyama (Ryo Ishibashi), a middle-aged documentary producer who lost his wife to cancer seven years prior. He lives a peaceful, rhythmic existence with his teenage son, Shigehiko, who gently suggests that it is time for his father to find a new companion. Aoyama agrees, but his return to the dating pool is not handled through conventional means. Instead, his close friend Yoshikawa, a slick feature film producer, suggests a bizarre and ethically dubious scheme. They will hold a mock casting call for a non-existent movie, allowing Aoyama to interview young women under the guise of finding a leading lady, while secretly searching for a perfect wife. This extended setup takes up almost an hour of screen time. Miike handles it with an unexpected, muted restraint that contrasts sharply with his reputation for gonzo, over-the-top v...
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