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MARK AS PLAYED: Happy Death Day and Second Chance Cinema

On HAPPY DEATH DAY we celebrate our previous failures (or the rare successes) in film discourse by checking out a couple of other movies podcasts giving cinema a second chance.  THE POPCORN MUNCHER  evaluate BLADE RUNNER 2049 and re-evaluate the original film and if they can separate the two as an individual work, while the hosts over at  EX RATED  have hopes that history will treat SCOTT PILGRIM VS. THE WORLD with more kindness than its initial response. So join your hosts  Michael Denniston  of  PROJECTING FILM  and  David Hart  of  POP CULTURE CASE STUDY  as they discuss films that they have aged better or worse with the common thread that it is always our fault and never the filmmaker. Films discussed by our hosts coming to terms with their own idiocy: BOYHOOD CARRIE MISERY HIGH FIDELITY MY COUSIN VINNY Facebook / Instagram / Twitter : @markasplayedpod Theme music by  Josh Nolan 'til the Words Run Out from the album  Fair City Lights

Pop Culture Case Study - Episode 279 - Predestination and Purpose

Andrew from the AB Film Review joins the show to talk about, of course, and Australian film.  This time around we are talking PREDESTINATION! We discuss Sarah Snook, the steadfast performance of Ethan Hawke, and how purpose applies to the film. Check out our Network! Subscribe on  iTunes!  ----Make sure to rate and review! Subscribe on  Stitcher! Subscribe on  Google Play

#077 Tobe Hooper: The Texas Chain Saw Massacre vs. Night Terrors

Download MP3 In today's episode Nate and Austin compare Tobe Hooper's best and worst rated films, The Texas Chain Saw Massacre (1974) and Night Terrors (1993), respectively. Nate is going to have night terrors after watching that movie, Austin wants to know where Zoe went, and they both decide to stay away from cannibalistic murderous families in Texas. Check back next Sunday at 7pm PST where we will compare George Romero's Dawn of the Dead (1978) and Survival of the Dead (2009), his best and worst rated films. Also check out this interview with director Tobe Hooper about The Texas Chainsaw Massacre : https://www.youtube.com/watch?v=HeSwdk06-EU Night Terrors Notes Worst Rated PLOT : A young girl travels to Cairo to visit her father, and becomes unwillingly involved with a bizarre sadomasochistic cult led by the charismatic Paul Chevalier, who is a descendant of the Marquis de Sade. Ratings : IMDb 3.3 | RT N/A % C / 7% A Released : 1993 Director : Tobe Ho

Pop Culture Case Study - Episode 278 - The Snowman

Listen in as we join the cacophony of disappointment in THE SNOWMAN. Guest Diego Crespo from Audiences Everywhere joins us to try to piece together the clues as why it failed! The Snowman Spoilers: 0:18:11 Follow Diego on Twitter! Follow The Waffle Press on Twitter! Read Diego's at Audiences Everywhere! Check out our Network! Subscribe on  iTunes!  ----Make sure to rate and review! Subscribe on  Stitcher! Subscribe on  Google Play

THE True Bromance Film Podcast - The Snowman

Episode 177 We are reaching that time of year when studios start giving us their best films in the hopes that the powers that be will latch onto these films and lavish them with awards. This week, we're taking a look at a film that is sure to garner accolades, as it is made by well regarded director, Tomas Alfredson, and has a stellar cast including Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, and J.K. Simmons. The Snowman is surely going to be one of the front runners for best picture, right? MOVIES DISCUSSED THIS WEEK: Professor Marston and the Wonder Women , No Estamos Solos , The Snowman , Sleepy Hollow , The Return of the Living Dead

ORIGINAL REMAKE: Wonder Woman and Professor Marston and the Wonder Women

Two weeks in a row we have  Dave Hart  of  Pop Culture Case Study  to help us figure out our fixation with WONDER WOMAN, other than the fact that it's a very likable movie. We compare that summer crowd pleaser to the crowded love story in the new release PROFESSOR MARSTON AND THE WONDER WOMEN. This discussion focuses on the origin of this iconic superhero character and how that has shifted over time, but more importantly if it shifts our opinion of the character as seen in the Patty Jenkins film. Also because we can't behave ourselves, we pitch a sequel with Chris Pine flying the invisible jet in a very special way. Twitter / Instagram : @originalremake Email:  originalremakepod@gmail.com Hosts:  @Podstalgic  and  @warmachinehorse

LOVING VINCENT BREAKS OUT

LOVING VINCENT, the world’s first fully oil painted feature film is being embraced by audiences around the globe.  First released in the US on September 22 nd by Good Deed Entertainment, the film is poised to cross the US$ 1million mark on a roll-out strategy that will see it in over 100 US/Canadian theatres this weekend.  In Poland distributor Next Film will cross 150,000 admissions this weekend after only 14 days in release. However, the biggest success so far is Italy, where distributor Adler’s event release opened at number 1 on 16 th October, with more than double the daily box office of Blade Runner 2049 .  Loving Vincent has garnered over 120,000 admissions and is approaching US$1.3 million box-office in only 3 days.   The BreakThru Productions/Trademark Films Polish-UK co-production has also started strongly in Switzerland, the Middle East, Vietnam and Chile and will release in over 130 territories in coming months.  Starring Douglas Booth, Saoirse Ronan and Chris O’Dow

Jeff Hasler interview - JANE

JANE  is the story of how Jane Goodall became Jane Goodall – using footage shot by future husband Hugo van Lawick of her first experiences in Gombe, Tanzinia in the 1960’s. Previously thought to be lost forever, the footage was only recently discovered in a storage unit, and has been now masterfully intercut with interviews of present-day Jane Goodall to provide an in-depth portrait of her life. Directed by Bret Morgen ( THE KID STAYS IN THE PICTURE ,  MONTAGUE OF HECK ) the documentary also features an enchanting original score by Philip Glass. Today I had the chance to chat with Jeff Hasler the executive vice president of production and development for National Geographic Studios, he is responsible for original scripted and non-scripted television, including the documentary series Chain of Command and the feature film documentary, JANE . He has previously held positions in network and production companies, serving as SVP of development for Optomen Productions US, lea

PROJECTING FILM: Abundant Acreage Available

On this episode we make the usual demands from independent cinema: more sex, more money, and more attention for our podcast. If you're reading this we've succeeded in at least one of those things. However the biggest win for us is the arrival of a new film from Angus MacLachlan, ABUNDANT ACREAGE AVAILABLE. And while both Chris and Mike agree that it is one of the best films of 2017, they gravitated to two different themes and we explain them in our respective selections of Tamara Jenkins' THE SAVAGES and Gus Van Sant's PROMISED LAND. Come for the enthusiasm of two cinephiles raving over something great, and stick around for the usual bitterness that sets in after we shout into the film podcast void. Facebook / Twitter / Instagram : @projectingfilm Hosts: Chris  @Following_Films  Mike  @warmachinehorse Email us suggestions on indie films you are looking forward to at projectingfilm@gmail.com

Origin Stories: Greta Gerwig's footnotes to LADY BIRD and in person at select screenings, Nov 1-9

Last April, Greta Gerwig helped launch Quad Cinema's "First Encounters" series, watching Blue Velvet for the first time and sharing her experience with the audience. For November, she returns, bringing a dozen movies to share with audiences over several days. These are films close to her heart, ones that influenced and informed her as the writer and director of the rapturous new comedy/drama Lady Bird (opening November 3rd via A24). Her playlist touches on many of her film’s themes: mothers and daughters, childhood memory, friendship, Northern California, first love, and musical theater. It’s a collection of righteous, joyous, bittersweet movies for an angry time. With Greta Gerwig in person at select screenings American Graffiti George Lucas, 1973, 35mm Amarcord American Federico Fellini, 1974, 35mm  Fat City John Huston, 1972, DCP Flirting John Duigan, 1990, 35mm The 400 Blows FranΓ§ois Truffaut, 1959, 35mm Grey Gardens David and Albe

Pop Culture Case Study - Episode 277 - Tinker Tailor Soldier Spy and Paranoia

Mike returns with a quickness to help Dave tackle one of the best movies of the century, in TINKER TAILOR SOLDIER SPY. We take a look at this, along with the theme of paranoia, in order to prepare for this director's next film, THE SNOWMAN! Paranoia: 0:04:36 Tinker Tailor Soldier Spy: 0:16:56 Check out our Network! Subscribe on  iTunes!  ----Make sure to rate and review! Subscribe on  Stitcher! Subscribe on  Google Play

Exclusive Clip from THE HEYDAY OF THE INSENSITIVE BASTARDS

THE HEYDAY OF THE INSENSITIVE BASTARDS starring James Franco (This is the End), Kate Mara (The Martian), Natalie Portman (Jackie), Rico Rodriguez (Modern Family), Abigail Spencer (Mad Men), Amber Tamblyn (Django Unchained), Thomas Mann (Kong: Skull Island) and Kristen Wiig (Ghostbusters). Based on short stories from Robert Boswell’s critically acclaimed book of the same name, THE HEYDAY OF THE INSENSITIVE BASTARDS explores the difference between fantasy and reality, memory and history, and the joy and agony of the human condition, through seven tales. The result is an ambitious series of vignettes ranging from comical to bittersweet to poignant. The film will be released on October 27th in theatres and on VOD

Red-Band Trailer for 24 HOURS TO LIVE

Following Films is pleased to present the red-band trailer debut for Ethan Hawke’s 24 Hours to Live. Saban Films will be releasing the film on Ultra VOD on November 3rd and Theatrically Day-and-Date in LA/NY on December 1st. The film is directed by Brian Smrz and stars Ethan Hawke, Xu Qing, Liam Cunningham, Rutger Hauer, and Paul Anderson. 24 Hours to Live will be making its World Premiere at the Austin Film Festival next Thursday.