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  February 2026 is shaping up to be a packed and eclectic month for home video collectors, blending prestige restorations, cult horror favorites, studio comedies, family-friendly blockbusters, and buzzy new television. From grim British crime dramas and slasher sequels upgraded to 4K UHD, to nostalgic animation collections and steelbook reprints designed for shelf appeal, the month offers something for nearly every type of viewer. Below is a complete breakdown of February’s major home video releases, organized by street date, with brief synopses to help you decide what deserves a spot in your collection.

Tess & The Details’ Standing on the Edge is a sharp examination of emotional contradiction, a song and video pairing that thrives on imbalance rather than resolution. At first glance or first listen, it lands like a sugar rush of pop punk joy. The song is immediate and infectious, designed to stick around after a single listen, and it barrels forward with an intoxicating sense of momentum. Everything about its surface suggests release, movement, and confidence. But that forward motion is a carefully constructed misdirection. Beneath the polish and speed, the song is quietly unraveling. The track leans heavily into its catchiness without ever letting it drift into emptiness. Instead, that brightness acts as camouflage for lyrics that are far darker and more internal than the sound implies. Standing on the Edge explores emotional precarity, the feeling of hovering at a breaking point without ever fully tipping over. There is a constant sense of emotional vertigo, an awareness that so...

Icefall is a stark and tense survival thriller released in 2025 that places human desperation against the overwhelming power of nature. Directed by Stefan Ruzowitzky, the film attempts to combine crime drama, wilderness survival, and character-driven tension into a single frozen narrative. While it does not fully escape familiar genre patterns, Icefall succeeds in creating a cold atmospheric experience that is often gripping and occasionally haunting even when its storytelling falters. The story centers on Harlan, a Native American game warden played by Joel Kinnaman, who arrests a notorious poacher during a routine patrol in a remote frozen region. What initially appears to be a simple law enforcement encounter quickly spirals into something much more dangerous when Harlan learns that the poacher knows the location of a sunken plane filled with millions of dollars beneath the ice of a frozen lake. This revelation draws criminal interests into the area and forces uneasy alliances to fo...

Shelby Oaks is an ambitious and deeply personal horror film that wears its influences openly while still striving to carve out its own unsettling identity. Directed by Chris Stuckmann, the film arrives with a unique weight behind it, not only because of its genre aspirations but because it represents a critic turned filmmaker stepping directly into the medium he has analyzed for years. The result is a movie that feels both reverent toward horror history and intensely concerned with the emotional fallout of obsession, guilt, and belief. A particularly notable comparison is Roger Ebert, whose transition from criticism to filmmaking resulted in Beyond the Valley of the Dolls, written with Russ Meyer. While the film is wildly different in tone and intent from Shelby Oaks, it stands as a reminder that critics have occasionally made bold, unconventional leaps into creation. Ebert’s script was unapologetically excessive, satirical, and deeply aware of the cinematic landscape it was commenting...

Paramount Pictures’ Roofman, arriving on 4K UHD and DVD January 20, 2026, brings to the screen one of the strangest true crime stories in recent memory. Directed by Derek Cianfrance, the film stars Channing Tatum as Jeffrey Manchester, an Army veteran and struggling father whose desperate choices lead him to rob McDonald’s restaurants by cutting through their roofs. His crimes earn him the nickname “Roofman,” but it’s his audacious post-escape hideout—living undetected inside a Toys “R” Us for six months—that cements his legend. When Manchester falls for Leigh (Kirsten Dunst), a divorced mom drawn to his charm, his carefully hidden double life begins to collapse. The home release is packed with bonus features that dig deeper into both the real-life case and the filmmaking behind it. Based on Actual Events and Terrible Decisions takes viewers behind the scenes as the cast and crew unpack the unbelievable story of Manchester, while Chasing the Ghosts: The Director’s Method offers an in-d...

Frightmare from 1981, directed by Norman Thaddeus Vane, is a raw, abrasive slice of American regional horror that thrives on excess anger and outsider energy. Where many early eighties slashers leaned into formula and body count,s this film feels more like a scream of frustration blasted straight onto celluloid. It is messy mean spirited and frequently uncomfortable, but those qualities are exactly what give it its cult power. Frightmare is not interested in polish or restraint. It wants to disturb, provoke, and overwhelm. The story centers on Conrad Radzoff, a former mental patient recently released from an institution after years of confinement for violent crimes. He moves in with his sister and her husband and quickly begins to unravel under the pressures of normal life. His grip on reality is tenuous at best, and his violent urges are barely contained. As Conrad drifts from job to job and situation to situation, his resentment toward society builds, eventually exploding into a seri...

Luther the Geek is the kind of regional horror oddity that seems engineered to be discovered on a battered VHS tape in a dusty video store rather than streamed in high definition. Released in the late nineteen eighties and shot on a shoestring budget, the film sits squarely in the tradition of American backyard horror where enthusiasm outweighs polish and sincerity battles incompetence in every frame. What makes Luther the Geek memorable is not that it is good in a conventional sense but that it is relentlessly committed to its own strange identity. It is a movie that knows exactly what it wants to be even if it does not always know how to get there. The premise is deceptively simple. Luther is an escaped mental patient who roams rural farmland and attacks anyone unlucky enough to cross his path. His defining trait is his appetite for human tongues, which he collects with disturbing enthusiasm. The film wastes little time explaining the psychology behind this fixation, and that is part...

Welcome back to The Following Films Podcast, where we dive into the stories behind the films that move us, challenge us, and stay with us long after the credits roll. Today’s episode brings us a powerful new drama that explores trauma, resilience, and the complicated journey home after war. Sheepdog, written and directed by Steven Grayhm, arrives in theaters January 16, 2026, and it’s a deeply human story about what it really takes to heal. The film centers on Calvin Cole, a decorated U.S. Army combat veteran who is court-ordered into treatment under the care of a VA trauma therapist in training. Just as he begins confronting his past, his estranged father-in-lawm a retired Vietnam veteran recently released from prison, arrives at his doorstep, forcing Calvin to face everything he’s been trying to outrun. Through community, tough love, and compassion, Sheepdog becomes a story about putting yourself back together again, for your family, and for yourself. The film features an extraordina...

Alex Proyas’s Dark City (1998) is one of the most distinctive science fiction films of the 1990s, a noir infused puzzle about a man accused of murder in a city where time never reaches daylight. It blends German Expressionist visuals, detective fiction, and philosophical science fiction to ask a quietly disturbing question: if your memories can be rewritten, what does “you” even mean? Beneath its shadowed rooftops and shifting buildings, Dark City is ultimately about identity, control, and the human urge to define ourselves in a world that will not stay still. The story follows John Murdoch, played by Rufus Sewell, who wakes in a bathtub in a strange hotel room with no memory of who he is. A dead woman lies nearby. A phone rings and a voice warns him that he is in danger. Soon he learns he is being hunted both by the police, led by Inspector Bumstead, and by pale, otherworldly beings called the Strangers. As John runs through the perpetual night of the city, he encounters his supposed ...