FOLLOWING FILMS

Apple TV+ launched The Morning Show as a prestige provocation: a glossy workplace drama that uses the rhythms of live television to interrogate power, gender, and the stories institutions tell to survive scandal. Across its first two seasons, the series oscillates between sharp satire and earnest melodrama, sometimes wobbling under the weight of its ambitions, but often landing with bracing emotional clarity. What emerges is a study of performance—on camera and off—and the price of being visible in systems designed to protect themselves. Season One arrives fueled by the shock of a sexual misconduct allegation against beloved anchor Mitch Kessler. Season Two pivots toward reckoning and aftermath, widening its lens to include accountability, public apology, and a world destabilized by crisis. Together, they form a diptych about complicity and courage, anchored by committed performances and an unusually tactile sense of workplace pressure. Season One: The Shattering of a Perfect Picture E...

Colin Minihan’s Coyotes is one of the most unexpectedly enjoyable thrillers of 2025, a tight, fiery, eco-horror adventure that blends creature-feature suspense with an intimate family drama. What could have easily become a campy “animals attack” movie instead emerges as a tense, stylish, emotionally resonant survival story that hits far above its weight class. The plot is straightforward but immediately gripping: a Hollywood Hills family, Scott (Justin Long), Liv (Kate Bosworth), and their teenage daughter Chloe (Mila Harris), becomes trapped in their home as wildfires rage nearby. The already volatile situation turns terrifying when a pack of coyotes, driven from their habitat and behaving with eerie coordination, surrounds the house. The genius of the setup is its layered tension. The fire, the darkness, the isolation, the failing communications, the smoke, all of it compounds into an atmosphere where anything could go wrong at any moment. The coyotes are just the final spark thrown ...

Splitsville is the kind of relationship comedy that refuses to cushion the viewer with predictable lessons or moral clarity. Instead, it embraces the tangled and often contradictory emotions that arise when people try to live by ideals they don’t fully understand. Directed by Michael Angelo Covino and Kyle Marvin, who also star, the film blends cringe humor, raw confession, and emotional chaos into a story that feels simultaneously absurd and painfully familiar. Rather than aiming for a tidy romantic arc, it leans into the reality that love in 2025 is frequently messy, self-contradictory, and full of poorly timed revelations. The story follows two couples who are closely connected and increasingly entangled. Carey, played by Marvin, and Ashley, portrayed with aching vulnerability by Adria Arjona, are a married pair trying to recover from a recent trauma that neither of them can articulate without stumbling. Their communication has become hesitant, and the sense of partnership that once...

If Together proves anything, it’s that the scariest thing about relationships isn’t breaking up — it’s merging so completely that you forget who you are. Director Michael Shanks takes this simple emotional idea and stretches it into something grotesque, romantic, and disturbingly funny. Starring Alison Brie and Dave Franco, a real-life couple, the film turns domestic tension into body horror, letting metaphor and flesh literally fuse together. The movie begins in familiar territory: Tim (Franco), an aspiring musician stuck in creative limbo, and Millie (Brie), a driven teacher, move from the city to a quiet rural community. The change is meant to help them reconnect after years of drifting apart. Instead, the isolation highlights how incompatible they’ve become. Their arguments are small at first, about chores, career envy, unspoken resentment, but beneath the surface lies a deeper dread: what if love itself is the thing that’s killing them? That dread takes form when the couple stumbl...

In an era where Hollywood comedies are rare and the ones we do get feel airbrushed, cautious, or overly self-aware, The Naked Gun (2025) arrives like a custard pie hurled straight at the face of subtlety. Directed by Akiva Schaffer (Chip ’n Dale: Rescue Rangers, Popstar: Never Stop Never Stopping), this revival of the classic spoof franchise doesn’t tiptoe around nostalgia; it sprints into chaos with a banana peel in one hand and a whoopee cushion in the other. The result is a film that takes more comedic swings in a single scene than some modern comedies attempt in their entire runtime. Not every joke lands, sure, but enough of them do, and often spectacularly, to make The Naked Gun (2025) one of the most flat-out enjoyable theatrical comedies in years. Stepping into the shoes of the late, great Leslie Nielsen was never going to be easy, but Liam Neeson approaches the role of Frank Drebin Jr., the son of the original disaster-magnet detective, with absolute commitment. The key here is...

When This Is Spinal Tap first premiered in 1984, few could have predicted that its deadpan take on rock and roll hubris would become one of the most quoted, beloved, and influential comedies in film history. Forty years later, Rob Reiner and the original trio, Christopher Guest, Michael McKean, and Harry Shearer, have returned to the amplifiers that once went “one louder.” The result, Spinal Tap 2: The End Continues, is a surprisingly tender, frequently hilarious love letter to aging artists, enduring friendship, and the absurd beauty of making noise together long after the world has stopped listening. It could have been a disaster. So many late-stage sequels stumble into the traps of nostalgia or self-parody. But Spinal Tap 2 largely sidesteps those pitfalls by doing something bold: it embraces its own age. This isn’t the swaggering, spandex-clad satire of 1984. This is a story about three men who once believed their music could shake arenas, and who now find meaning in shaking hands,...

The 2025 Smurfs reboot, directed by Chris Miller, arrives with a clear mission: to breathe new life into a beloved franchise while introducing the little blue icons to a generation raised on Encanto and The Super Mario Bros. Movie. It’s a colorful, good-natured attempt that wears its heart on its sleeve. Backed by an A-list voice cast, Rihanna as Smurfette, John Goodman as Papa Smurf, and Natasha Lyonne, Sandra Oh, and Nick Offerman rounding out the ensemble, the film aims to balance nostalgia and modern energy. The result isn’t perfect, but it’s far from the disaster skeptics might have feared. Miller and his team deliver a lively, affectionate family film that may not redefine animation, yet succeeds in reminding us why the Smurfs have endured for over six decades. The story centers on Smurfette, who takes charge when Papa Smurf is kidnapped by the bumbling yet oddly sympathetic wizard Gargamel and his new accomplice Razamel. Her quest sends the Smurfs beyond their familiar mushroom ...

Ti West’s X trilogy, comprising X (2022), Pearl (2022), and MaXXXine (2024), is one of the most ambitious horror undertakings of the decade. Across three wildly different films, West and his creative partner and star Mia Goth dissect the intersecting ideas of ambition, aging, fame, and exploitation. On the surface, these are stylish genre pieces, slashers, psychodramas, and neo-noirs, but beneath that surface lies an incisive exploration of what it means to want to be seen and what one must sacrifice to achieve it. The films are connected through characters, but even more so through theme. In X, a group of young filmmakers in 1979 travels to rural Texas to shoot an adult film on an old couple’s property. What begins as a playful throwback to 1970s grindhouse quickly becomes a meditation on the fear of aging, the loss of youth, and the envy of vitality. The elderly hosts, Pearl and Howard, are both repulsed and fascinated by the youthful sexuality invading their farm. The killings that ...

David Mackenzie’s Relay is a rare kind of modern thriller: coolly intelligent, quietly unnerving, and built on ideas rather than explosions. It unfolds in a version of New York that feels both contemporary and haunted by the ghosts of older conspiracy films. At the center of it all is Riz Ahmed, giving one of his most quietly magnetic performances as Ash, a professional go-between who makes a living brokering deals between whistle-blowers and the corporations they threaten to expose. It’s an ethically ambiguous job, and the film never lets him or the audience forget it. The concept is simple but ingenious. Ash uses an old assistive communication system, a phone relay service originally designed for people who are deaf or hard of hearing, as his cover. It allows him to pass information between opposing parties while concealing his own identity. He is a middleman of secrets, a man who thrives in the murky space between truth and silence. When Sarah Grant, played by Lily James, contacts h...

Ultraman Arc marks another milestone in Tsuburaya Productions’ ever-expanding Ultra Series, debuting in 2024 as a story about hope, imagination, and responsibility. Rather than following the usual formula of an alien hero swooping in to save humanity, the series reframes Ultraman as a symbol of human creativity itself. It is a show that blends heartfelt character drama with the wonder and spectacle of classic tokusatsu. At the center is Yuma Hize, a rookie member of the Scientific Kaiju Investigation and Prevention team, or SKIP. Yuma is kind, idealistic, and often unsure of himself, but his compassion becomes the bridge between humanity and Ultraman Arc, a luminous being who takes shape from Yuma’s imagination. Unlike many previous hosts, Yuma is not chosen because of strength or bravery, but because of empathy and creativity. His partnership with Arc feels less like a contract and more like a dialogue between human emotion and cosmic potential. The supporting cast gives the series it...

Ari Aster’s Eddington is a film that defies easy classification. It is a sprawling, strange, and hypnotic reflection of a nation unraveling under pressure, a psychological and political fever dream set against the fractured landscape of 2020 America. Part social satire, part descent into madness, it captures a moment in history with such raw intensity that it feels both uncomfortably familiar and impossible to look away from. The story takes place in a small desert town in New Mexico, a place that seems forgotten by the world until it becomes a battleground for the country’s cultural and ideological wars. The film opens with a haunting image of a lone figure staggering across the desert at dawn, a visual motif that recurs throughout the story, people lost in vast, empty spaces, searching for meaning in an age of noise. From the beginning, Aster establishes that this is not just a portrait of a town but a mirror held up to an entire nation. Joaquin Phoenix plays Joe Cross, the town’s we...