Skip to main content

The Vanishing day 4 of my 31 days of horror



1988 
Directed By George Sluizer 
Starring Bernard-Pierre Donnadieu and Gene Bervoets

If you haven't seen The Vanishing, don't read this. Seriously I'm not going into spoiler territory but if you can go into this one no real foreknowledge do yourself a favor and watch this as soon as you can. Don't watch a trailer, don't read the plot description on IMDB watch this clean and stop by afterwards to say thank you.

The Vanishing tells the story of a young Dutch couple who are vacationing in France but as the title of the film indicates, their holiday does not according to plan. The couple stops at a gas station to refuel and rest before hitting the road again but Raymond Lemorne has different plans for the couple. The young woman enters the convenience store but never returns.

The husbands begins a three year quest to find his wife. He takes out adds, appears on television multiple times and retraces his steps hundreds if not thousands of times. The film is about obsession, about how far one man will push himself to uncover the truth.

The structure of the film is unusual and non-linear but built in such a deliberate manor that each turn leaves the viewer wanting more. Almost immediately we are given more information than our protagonist but at no time do we look down on him during his journey. In fact our knowledge makes him an even more sympathetic character. Once the film reaches its climax we are going along with our protagonist because we understand he has no other choice, he is merely given the appearance of one.

In the same way Silence of the Lambs was a horror film so is The Vanishing. Some people feel more comfortable calling films like these thrillers because they would be embarrassed to express deep fondness for a horror film but this is absolutely a horror film. The main purpose of a horror film is to cause a deep sense of dread and unease. The best horror films force us to grapple with our deepest fears and the experience can be cathartic. By the end of The Vanishing  I in no way felt a sense of catharsis but I was fully aware of how unique and brilliant a film it was.

This is a truly frighting tale. It is incredibly easy to loose yourself in the film and feel great empathy for our lead. I've seen it around ten times and each time I find myself completely wrapped up in the story again. I know exactly where its headed and how the film will eventually play out but there is always a part of me that hopes that maybe things will work out differently this time.

I guess I should mention the 1993 American remake of the film... don't watch it. Its not terrible but it in no way holds up to this.

You can watch The Vanishing on Hulu plus and on VOD

Comments

Popular posts from this blog

Explaining the Ending of MULHOLLAND DRIVE

David Lynch’s Mulholland Drive remains one of the most haunting and enigmatic films ever made. It operates like a riddle that refuses to be solved, luring the viewer into a world where time, memory, and identity dissolve into one another. What begins as a mysterious, almost whimsical Hollywood fairy tale gradually transforms into a psychological nightmare. By the end, it’s clear that what we’ve been watching is not a mystery to be unraveled but an emotional landscape, the mind of a woman caught between fantasy and despair. The film tells the story of two women, Betty Elms and Rita, whose lives intertwine after Rita survives a car crash and loses her memory. Betty, a bright and optimistic aspiring actress freshly arrived in Los Angeles, takes her in. Together, they embark on an investigation into Rita’s identity, which unfolds like a noir detective story bathed in dreamlike light. Everything about this world feels heightened: Betty’s charm, the coincidence of events, and the ease with w...

Explaining the Ending of No Country for Old Men

No Country for Old Men is a tense, spare, and philosophical thriller that upends traditional narrative expectations. While it contains the elements of a crime drama—drug deals, hitmen, shootouts—it refuses to follow a conventional path. By the time the film ends, the central conflict seems unresolved, the villain walks away, and the protagonist we’ve been following disappears offscreen. To understand the film’s ending, one must look beyond plot and consider its themes: fate, violence, moral decay, and the erosion of order in the modern world. The Narrative Setup The story begins with Llewelyn Moss (Josh Brolin), a Vietnam veteran who discovers a drug deal gone wrong in the Texas desert and makes off with $2 million in cash. Anton Chigurh (Javier Bardem), a remorseless hitman, is sent to retrieve the money. Sheriff Ed Tom Bell (Tommy Lee Jones), a weary and introspective lawman, tries to make sense of the violence unfolding around him. At first glance, the film appears to set up a c...

Dracula (2026) Trailer, Release Date, Cast, and Plot Details

Dracula (2026) Trailer, Release Date, Cast, and Plot Details Vertical has officially announced that DRACULA (2026), the latest reimagining of the iconic vampire myth, will be released exclusively in theaters nationwide on February 6, 2026. Written, directed, and produced by visionary filmmaker Luc Besson, the film promises a dark, operatic take on one of cinema’s most enduring legends. Dracula (2026) Cast and Creative Team Besson’s Dracula (2026) stars Caleb Landry Jones in the title role, joined by an impressive ensemble that includes Christoph Waltz, Zoë Bleu, Guillaume de Tonquedec, Matilda De Angelis, Ewens Abid, and Raphael Luce. The film is executive produced by Mark Canton, Dorothy Canton, Ryan Winterstern, and Philippe Corrot, further cementing the project as a major cinematic event. Dracula (2026) Plot Synopsis Set against the brutal backdrop of the 15th century, Dracula (2026) begins with profound personal tragedy. After witnessing the savage murder of his beloved wife (Zoë B...