Skip to main content

Out of Sight or further proof that movies in the 90's were just better




It can't be over stated how great the films were in the 90's. I started high school in 1990 so I was at the perfect age to start exploring films beyond the multiplex. Netflix hadn't killed Blockbuster and Blockbuster hadn't killed the mom & pop video stores. It was a great time to be a young cinefile in the making. The indie boom was in full swing and every major studio had divisions maker smaller films specifically designed to be different and original. I know everybody looks back at their youth and thinks "they just don't make 'em like that anymore." Its cliche but dear god its true. When I was a kid we had better movies.

Exhibit A:

Out of Sight

Sure this is a film about cops and robbers but its not terribly concerned with the minutia of criminal life or procedural existence. When you watch this film turn off that part of your brain that looks for realism. The dialogue is very stylized and the visuals are straight out of 60's cool. All of these elements are supported and elevated by a (for lack of better word) groovy score from David Holmes.

The film is also brilliantly cast, every performance feels well thought out and fully realized. When you consider the size of the cast that's something of a miracle. I couldn't find one weak link. Not that I was looking for one one but I was struck by how many great characters are in this picture. George Clooney is so insanely charismatic and fun to watch. He is the epitome of  the every man wants to be him every woman wants to be him actor.

Steven Soderbergh is really starting to hit his stride with this one and while it does feel like a young filmmaker is behind it, you can't deny the craftsmanship that went into the making of this film. Every scene is tightly constructed but the dialogue is so conversational and loose that the film feels almost improvised. The narrative structure of the film also plays out the same way it does in the book. This is a non-linear film where if it were in the hands of a lesser filmmaker working with a lesser script and lesser actors it could have been a complete mess. This is a beautiful melding content and execution. No aspect of this film feels lazy or phoned in. Every element complements the other elements and creates a cacophony of bad ass-ness.

If you haven't seen seen Out of Sight, remedy that immediately. If its been a couple years, re watch it. If this is in your regular rotation, this is one of many ways that you are better than me. But I will be adding this to the revisit list so you can't hold it over my head for too long.

Comments

Popular posts from this blog

Explaining the Ending of MULHOLLAND DRIVE

David Lynch’s Mulholland Drive remains one of the most haunting and enigmatic films ever made. It operates like a riddle that refuses to be solved, luring the viewer into a world where time, memory, and identity dissolve into one another. What begins as a mysterious, almost whimsical Hollywood fairy tale gradually transforms into a psychological nightmare. By the end, it’s clear that what we’ve been watching is not a mystery to be unraveled but an emotional landscape, the mind of a woman caught between fantasy and despair. The film tells the story of two women, Betty Elms and Rita, whose lives intertwine after Rita survives a car crash and loses her memory. Betty, a bright and optimistic aspiring actress freshly arrived in Los Angeles, takes her in. Together, they embark on an investigation into Rita’s identity, which unfolds like a noir detective story bathed in dreamlike light. Everything about this world feels heightened: Betty’s charm, the coincidence of events, and the ease with w...

Explaining the Ending of No Country for Old Men

No Country for Old Men is a tense, spare, and philosophical thriller that upends traditional narrative expectations. While it contains the elements of a crime drama—drug deals, hitmen, shootouts—it refuses to follow a conventional path. By the time the film ends, the central conflict seems unresolved, the villain walks away, and the protagonist we’ve been following disappears offscreen. To understand the film’s ending, one must look beyond plot and consider its themes: fate, violence, moral decay, and the erosion of order in the modern world. The Narrative Setup The story begins with Llewelyn Moss (Josh Brolin), a Vietnam veteran who discovers a drug deal gone wrong in the Texas desert and makes off with $2 million in cash. Anton Chigurh (Javier Bardem), a remorseless hitman, is sent to retrieve the money. Sheriff Ed Tom Bell (Tommy Lee Jones), a weary and introspective lawman, tries to make sense of the violence unfolding around him. At first glance, the film appears to set up a c...

Dracula (2026) Trailer, Release Date, Cast, and Plot Details

Dracula (2026) Trailer, Release Date, Cast, and Plot Details Vertical has officially announced that DRACULA (2026), the latest reimagining of the iconic vampire myth, will be released exclusively in theaters nationwide on February 6, 2026. Written, directed, and produced by visionary filmmaker Luc Besson, the film promises a dark, operatic take on one of cinema’s most enduring legends. Dracula (2026) Cast and Creative Team Besson’s Dracula (2026) stars Caleb Landry Jones in the title role, joined by an impressive ensemble that includes Christoph Waltz, Zoë Bleu, Guillaume de Tonquedec, Matilda De Angelis, Ewens Abid, and Raphael Luce. The film is executive produced by Mark Canton, Dorothy Canton, Ryan Winterstern, and Philippe Corrot, further cementing the project as a major cinematic event. Dracula (2026) Plot Synopsis Set against the brutal backdrop of the 15th century, Dracula (2026) begins with profound personal tragedy. After witnessing the savage murder of his beloved wife (Zoë B...