Skip to main content

Interview with DP David McFarland of The Boy Next Door and some film talk with Anderson Cowan of The After Disaster and The Film Vault



Based in Los Angeles, born and raised in Texas, David began studying photography, art, and music at an early age. He is a graduate of Boston University where he majored in cinematography and anthropology. His previous feature credits include: THE BLACK TULIP, for director Sonia Cole; and THE BAYTOWN OUTLAWS, starring Billy Bob Thornton and Eva Longoria. Aside from working in narrative, David has a strong body of work in commercials, documentaries, and music videos. Regardless of the type of project, his goal as a DP is to create images that not only tell the story, but affect the viewer on a subliminal level.

On this episode we talk about romantic relationships with a big age difference... other than between Mike and Chris. Instead we debate two classic films in Stanley Kubrick’s LOLITA vs. Hal Ashby’s HAROLD AND MAUDE. For the deciding vote, we are very happy to have Anderson Cowan from the awesome and well-respected movie podcast THE FILM VAULT and the comedy podcast THE AFTER DISASTER. But before we decide on Team Humbert or Team Maude, we interview David McFarland, the director of photography for THE BOY NEXT DOOR, the new film that inspired our theme.





Jennifer Lopez leads the cast in THE BOY NEXT DOOR, a psychological thriller that explores a forbidden attraction that goes much too far. Directed by Rob Cohen (The Fast and the Furious) and written by Barbara Curry, the film also stars Ryan Guzman, John Corbett and Kristin Chenoweth.

The Boy Next Door is produced by Jason Blum of Blumhouse Productions, Lopez and Elaine Goldsmith-Thomas of Nuyorican Productions, Benny Medina of The Medina Company and John Jacobs of Smart Entertainment.

Post a Comment

Popular posts from this blog

Internet Trolls and Critics in the Age of Rotten Tomatoes - A Look at the Critical Response to GOTTI

Hate, intolerance, and cruelty are the most valued currencies in the digital age. Online publications deal in the same eye-catching tabloid headlines that were once exclusive to rags like WEEKLY WORLD NEWS and the NATIONAL ENQUIRER. The monetization of clicks is ruining many forms of journalism and film criticism is just one of them. When organizations can see what headlines are generating revenue its only natural that sensationalism would start to rise. There is no consorted hivemind like conspiracy to destroy certain films but rather internet activity that has boosted a certain type of writer. From the outside, online film critics share quite a bit with their Twitter troll counterparts.

The critical response to John Travolta's passion project Gotti has been less than favorable, in fact, it has been downright abysmal. A project over ten years in the making, Travolta has poured his heart and soul into this venture. And many writers seem to take pleasure in the film's failure.

I…

Richard Armitage interview on SLEEPWALKER

SLEEPWALKER is the latest film from director Elliott Lester. Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university's sleep research center for help. When she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways. In fact, every time she goes to sleep now, she wakes up in a slightly different version of her world. With the help of sleep researcher Dr. Scott White, she tries to work her way back to the reality she started in. But when they finally succeed, it’s revealed that Sarah’s world is not what she thought at all.

Today my guest is one of the stars SLEEPWALKER, Richard Armitage. Tonight we talk about his work on that film as well as his work as Thorin Oakenshiled in The Hobbit Films, as John Proctor in The Crucible, and his upcoming films Ocens 8 and the Julie Delpy directed film My Zoe.

Sleepwalker is Now Available on Digital HD and On Dem…

NO ALTERNATIVE review

Depression is often marked by sadness, despair, and hopelessness. The sense that things will not get better is something most of us pass through at different points in our lives. But depression is something more than that. It’s not just a temporary feeling, it’s a debilitating emotional state that you can’t simply pull yourself out of. The angry outbursts, irritability, and frustration that come along with depression can isolate individuals suffering from this condition and push them deeper into their own thoughts. Everyone needs to be heard and sometimes those who can’t express themselves in traditional forms find their voice in art.
Edvard Munch wrestled with agoraphobia and frequently had hallucinations, one of which inspired THE SCREAM, a painting so iconic that even the most casual art enthusiast is familiar with the piece.  Sylvia Plath took a more direct approach with THE BELL JAR and laid out the details of her depression with brutal honesty. Briana Dickerson a white suburba…