Chris Maynard host of the following films podacst is joined by Micahael Troyan to discuss The history of 20th Century Fox. Michael holds a Masters in Library Science, and has worked as an archivist at the Walt Disney and Warner Bros. studios, as well as a consultant and film historian elsewhere. He is the author of MGM Hollywoods Greatest Backlot and numerous other books about film. His latest book Twentieth Century Fox: A Century of Entertainment will be availible Oct 1 2016 In other words this guy has forgotten more about film than our host will ever know. Over the next couple weeks Micael and Chris will look back at the studios history decade by deacde. For our first episode we are examining fox in the 2000s
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...