SCAMMERHEAD Trailer/News

"SCAMMERHEAD" had it's World Premiere in the Main Competition at the 2014 Montreal World Film Festival (http://www.ffm-montreal.org/en/317-en_scammerhead.html), and was nominated for the Prix des Ameriques. It recently won "Best Narrative Feature" at the Berkeley Film Festival, as well as the Trenton Film Festival, and the "Visionary Award" at the Lake Champlain Int'l Film Festival, and Dan Zukovic was nominated for Best Performance at the Orlando Film Festival. The Berkeley Times has called "SCAMMERHEAD" "One of this years' most intriguing movies." It continues on the festival circuit, and will be appearing on DVD and VOD outlets. "SCAMMERHEAD" will also be having it's Los Angeles Premiere in the new year at the historic

Egyptian Theatre in Hollywood as part of the American Cinematheque.

A Global Film Noir with dark comic elements, "SCAMMERHEAD" was shot for over 7 years in numerous international locations, including New York, Chicago, London, Seattle, Vancouver, Toronto, Dallas, Atlanta, Washington DC, Memphis, Liverpool, Birmingham, Cleveland, Paris, Lake Havasu Arizona, Berlin, Rome, New Orleans, Las Vegas, Los Angeles, Havana, Tokyo, Mexico City, Elba Island and Alcatraz Island. It features one of the final performances of legendary Hollywood character actor Alex Rocco ("The Godfather", "The Friends Of Eddie Coyle"), as well as performances by other Hollywood character greats Bruce Glover ("Chinatown", "Diamonds Are Forever"), and Duane Whitaker ("Pulp Fiction").

"SCAMMERHEAD" was written and directed by Cult indie film director Dan Zukovic ("The Last Big Thing"),

and produced by Jeremy Dyson, Brendan Keown and Mitch Mayer ("Dark Arc").

Official Sites:
facebook: https://www.facebook.com/pages/Scammerhead/492649894163215
twitter: https://twitter.com/scammerhead

Internet Trolls and Critics in the Age of Rotten Tomatoes - A Look at the Critical Response to GOTTI

Hate, intolerance, and cruelty are the most valued currencies in the digital age. Online publications deal in the same eye-catching tabloid headlines that were once exclusive to rags like WEEKLY WORLD NEWS and the NATIONAL ENQUIRER. The monetization of clicks is ruining many forms of journalism and film criticism is just one of them. When organizations can see what headlines are generating revenue its only natural that sensationalism would start to rise. There is no consorted hivemind like conspiracy to destroy certain films but rather internet activity that has boosted a certain type of writer. From the outside, online film critics share quite a bit with their Twitter troll counterparts.

The critical response to John Travolta's passion project Gotti has been less than favorable, in fact, it has been downright abysmal. A project over ten years in the making, Travolta has poured his heart and soul into this venture. And many writers seem to take pleasure in the film's failure.

I…

NO ALTERNATIVE review

Depression is often marked by sadness, despair, and hopelessness. The sense that things will not get better is something most of us pass through at different points in our lives. But depression is something more than that. It’s not just a temporary feeling, it’s a debilitating emotional state that you can’t simply pull yourself out of. The angry outbursts, irritability, and frustration that come along with depression can isolate individuals suffering from this condition and push them deeper into their own thoughts. Everyone needs to be heard and sometimes those who can’t express themselves in traditional forms find their voice in art.
Edvard Munch wrestled with agoraphobia and frequently had hallucinations, one of which inspired THE SCREAM, a painting so iconic that even the most casual art enthusiast is familiar with the piece. Sylvia Plath took a more direct approach with THE BELL JAR and laid out the details of her depression with brutal honesty. Briana Dickerson a white suburba…

THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

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