New release LOVING has us IN THE MOOD FOR LOVE, albeit of a particular scandalous variety. For that we of course turn to Judi Dench in NOTES ON A SCANDAL as that relatively forgotten Oscar contender goes up against Wong Kar-wai's modern classic. But first, is the latest from Jeff Nichols going to be perceived as a new classic come Oscar time? All of that and a battle between MIDNIGHT SPECIAL and ADDAMS FAMILY VALUES in our latest episode.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...