Skip to main content

War Machine vs. War Horse: I Don't Feel at Home in This World Anymore (Hello I Must Be Going vs. Happy Christmas)

On this episode we participate in a cinematic home invasion with Melanie Lynskey to celebrate her new film, the 2017 Sundance Grand Jury Prize winner I DON'T FEEL AT HOME IN THIS WORLD ANYMORE. To make sure we're comfortable in our selected double feature on homes, we bring back a favorite guest in Karly from the Core Temp Arts network podcasts That Pop This Life and Talking Shondaland. We discuss Lynskey having her home invaded by sister-in-law Anna Kendrick in the improvised HAPPY CHRISTMAS, and then Lynskey herself being the home invader as a divorcee returning back to her parents home in HELLO I MUST BE GOING.

Also an appreciation of the Kiwi accent, as always.

Twitter/Instagram/Letterboxd: @warmachinehorse



Popular posts from this blog

Richard Armitage interview on SLEEPWALKER

SLEEPWALKER is the latest film from director Elliott Lester. Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university's sleep research center for help. When she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways. In fact, every time she goes to sleep now, she wakes up in a slightly different version of her world. With the help of sleep researcher Dr. Scott White, she tries to work her way back to the reality she started in. But when they finally succeed, it’s revealed that Sarah’s world is not what she thought at all.

Today my guest is one of the stars SLEEPWALKER, Richard Armitage. Tonight we talk about his work on that film as well as his work as Thorin Oakenshiled in The Hobbit Films, as John Proctor in The Crucible, and his upcoming films Ocens 8 and the Julie Delpy directed film My Zoe.

Sleepwalker is Now Available on Digital HD and On Dem…

LAFF Review AND THEN THERE WAS EVE

2017
Directed By: Savannah Bloch
Starring: Tania Nolan, Rachel Crowl, Mary Holland, Karan Soni, John Kassir, and Anne Gee Byrd



Alyssa (Nolan) wakes up to find her home pillaged and her husband missing. The burglars have taken everything, down to the photos of her husband. The police offer little help so she turns to a friend of the family Eve (Crowl) for assistance. The film is less of a "who done it" and more of a "what happened."

The prolonged second act of the film focuses on the relationship between Eve and Alyssa. The suspense of the film lingers in the background while their relationship grows. In fact, clues of what is to come are clearly laid out in a way that allows the viewer to see where the film is headed before it gets there. I'm not sure if this is by design but the effect of having the stories trajectory clearly laid out gives the audience permission to accept this blossoming relationship.

Nolan and Crowl both give stunning performances that anc…

THE GRAND GESTURE: That Awkward Moment

We bring on "The King of Cringe" for THAT AWKWARD MOMENT, something our guest JARED DOTSON of SOBER CINEMA takes issue with. However much to our surprise, he does not take issue with this not so well regarded romcom from 2014 starring Zac Efron, Michael B. Jordan, and Miles Teller as three guys making a pact to navigate single life together after one friend's marriage ends. And while the romances don't particularly work here (except for the one with the great Mackenzie Davis who makes any role work) this boys club movie ends up having its own particular charms. Like a combination of ice cream and bourbon this one goes down easy in our latest episode you can find here and at the links below:
Listen on iTunes/Podbean
Facebook/Instagram/Twitter: @grandgesturepod Hosts: Dave @pccasestudy Mike @warmachinehorse Email us your favorite romantic grand gestures in film at grandgesturepod@gmail.com Theme music by Soft and Furious Intro: "Am I Drunk or in Love" Outro: