On this episode we talk about our passion for the look of Terrence Malick films with William Lindus of the Movie Bears Podcast and Jairo of The True Bromance Film Podcast. This is something we share with two of the filmmakers featured on this podcast as we discuss the merits of the Malick influence on Jonathan Levine's ALL THE BOYS LOVE MANDY LANE and David Lowery's AIN'T THEM BODIES SAINTS. But before we get into those troubled love stories, we see if the man himself continues to trouble former fans as Mr. Malick continues to lose the narrative in his latest, SONG TO SONG.
No contemporary filmmaker has chronicled the messy human experience with the eye and ear of a comedic cultural anthropologist like JUDD APATOW. Hits as varied as those he’s directed, like Knocked Up and The 40-Year-Old Virgin, and those he’s produced, like Superbad and Bridesmaids, are all unified by their honest, unflinching, comic look at how complicated it is to grow up in the modern world. Apatow has also built a history of helping break distinctive new comedy voices into the mainstream, from Seth Rogen to Lena Dunham, among many others. Now, in his fifth feature film as a director, Apatow again brings a portrait of an unforgettable character, and a portrayal by a breakout new comedy star, together in a film written by and starring AMY SCHUMER (TV’s Inside Amy Schumer) as a woman who lives her life without apologies, even when maybe she should apologize. U n d o u b t e d ly, S c h u m e r h a s b e e n s t e a d i ly achieving cultural notoriety of her own. From her bruta