CHEVY CHASE, RICHARD DREYFUSS, ANDIE MACDOWELL, LEWIS BLACK, KATE MICUCCI AND CHRIS PARNELL WILL STAR IN GREG PRITIKIN’S "THE LAST LAUGH"

Emmy Award Winner® Chevy Chase (Caddyshack, Fletch, National Lampoon’s Vacation franchise and TV’s Saturday Night Live), Academy Award Winner® Richard Dreyfuss (The Goodbye Girl, Close Encounters of the Third Kind, Mr. Holland’s Opus, Jaws), Andie MacDowell (Groundhog Day, Four Weddings and A Funeral, Sex, Lies and Videotape), Lewis Black (TV Miniseries Madoff, Inside Out, The Aristocrats), Kate Micucci (The Lego Batman Movie, The Little Hours, Don’t Think Twice) and Chris Parnell (Battle of the Sexes, Sisters, “Archer”) have boarded comedy The Last Laugh. Written and directed by Greg Pritikin (Dummy), the Netflix Original from producer Rob Paris of Paris Film, Inc. starts shooting today in New Orleans.

After 50 years, talent manager and widower Al Hart reunites with former client Buddy Green who gave up a promising career as a stand-up comedian and instead settled down to have a family. After Al convinces Buddy to perform on a bucket list tour of classic standup venues across the U.S., Buddy gets on last taste of the life he could have had. The Last Laugh shows the rollercoaster ride of two men rekindling friendships, careers and ideas of the past while traveling around the country together.

“It’s not surprising a script as poignant and funny as this attracted such award-winning talent,” said Paris. “It’s a perfect fit for a distributor like Netflix because it has universal themes and internationally-recognizable stars. I’m beyond excited to begin production with our amazing team in New Orleans and our dream cast.”

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THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

LAFF review A CROOKED SOMEBODY

2107
Directed By: Trevor White
Starring: Rich Sommer, Clifton Collins Jr., Joanne Froggatt, Amanda Crew, Ed Harris
Producers: Jason Potash, Paul Finkel, Tim White, Wayne L. Rogers Sales: CAA
Ambition is a powerful drug that can inspire positive change. It can force you outside of the comfortable boxes you place yourself in. It asks you to stretch and reimagine not only the person you are but the person you could be. Most great men and women have a deep relationship with what they see as their purpose. This is a personality trait never driven by or limited to the pragmatic and there in lies the problem. Logic be damned, when a sense of determination is your north star.
Michael Vaughn (Sommer) is an ambitious psychic on the road promoting a book that no one is buying. Using parlor tricks and audience plants Vaughn helps people "connect" with loved ones who have passed on. Somewhere in between a traveling preacher and a low-rent John Edwards he sees himself as a man destined …

SONG OF SOLOMON Review

Exorcism films do not begin and end with William Friedkin's THE EXORCIST. With entries as varied as BEETLEJUICE, CONSTANTINE, and THE RITE, the exorcism sub-genre of horror films is far more diverse than many immediately recognize.

With THE SONG OF SOLOMON director Stephen Brio has added a unique take on the possession movie. In his film, the Catholic church attempts to save the soul of Mary (Jessica Cameron) who appears to have been possessed after witnessing her father's brutal suicide.

Mary is off camera while her father takes his own life. In a scene that could play as a confessional or an accusation, the family's patriarch lists off the reasons why he is being forced to use his knife on Mary and himself. He details how they were a good, loving family and he can't understand why she is accusing him of abuse. Using demonic control as a metaphor for trauma survival is something so natural, I can't believe it's not woven into every film of this kind.

Jessic…

🅵🅾🅻🅻🅾🆆🅸🅽🅶 🅵🅸🅻🅼🆂

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