On this episode we repeat Christmas movies, and not just A CHRISTMAS STORY, as your hosts look back at the films that have aged gracefully over many a holiday season and those that look like Billy Bob in BAD SANTA. Also we attempt to figure out just what those damn kids are into when it comes to what Freeform is playing for the holidays, and if it's time to just give up and move to Pottersville. Happy holidays from three Scrooges and with that... please subscribe to this podcast. It's a gift for both of us.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...