Skip to main content

Films by Madeline Anderson Available for the First Time on DVD

Image
By



Inducted into the Black Filmmakers Hall of Fame in 1992, Madeline Anderson is a trail-blazer in many ways—including being the first American-born black woman, in a film industry union, to produce a documentary film.

Newly preserved and available on home video for the first time, Madeline Anderson’s Integration Report 1 (1960), A Tribute to Malcolm X (1967), and the classic I Am Somebody (1970) bring viewers to the front lines of the fight for civil rights.

A testament to the courage of the workers and activists at the heart of her films as well as her own bravery, tenacity and skill, the films of Madeline Anderson are both essential historical records of activism and a vital body of cinematic work.


I Am Somebody

1970 • 30 min • Color • Closed Captioned • Ultra-High Definition UDH digital scan
In 1969, black female hospital workers in Charleston, South Carolina went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard.

Featuring Andrew Young, Charles Abernathy, and Coretta Scott King and produced by Local 1199, New York’s Drug and Hospital Union, I Am Somebody is a crucial document in the struggle for labor rights.

Integration Report 1
1960 • 21 min • B&W • Closed Captioned • Photochemical preservation
Examines the struggle for black equality in Montgomery, Alabama, Brooklyn, New York, and Washington, D.C. Includes footage by documentary legends Albert Maysles and Ricky Leacock, protest songs sung by Maya Angelou, and a speech by Martin Luther King, Jr.

A Tribute to Malcolm X
1967 • 14 min • Color and B&W • Closed Captioned
Features fascinating archival footage as well as an interview with Malcolm X’s widow Dr. Betty Shabazz, conducted two years after his 1965 assassination. Made for television broadcast on the William Greaves-produced WNET program Black Journal.

Bonus features include: UHD digital scan of I Am Somebody and photochemical preservation of Integration Report 1 with the support of the Smithsonian's National Museum of African American History and Culture; a Smithsonian oral history video interview; a 28-page booklet including an interview between Rhea L. Combs, PhD, and Madeline Anderson; and Celebrate Moe!, a 13-minute featurette on Moe Foner, the union leader who commissioned I Am Somebody, by Michelle Miller.


You can order the DVD box set from Icarus films here
Labels:
Post a Comment

Popular posts from this blog

Internet Trolls and Critics in the Age of Rotten Tomatoes - A Look at the Critical Response to GOTTI

By
Hate, intolerance, and cruelty are the most valued currencies in the digital age. Online publications deal in the same eye-catching tabloid headlines that were once exclusive to rags like WEEKLY WORLD NEWS and the NATIONAL ENQUIRER. The monetization of clicks is ruining many forms of journalism and film criticism is just one of them. When organizations can see what headlines are generating revenue its only natural that sensationalism would start to rise. There is no consorted hivemind like conspiracy to destroy certain films but rather internet activity that has boosted a certain type of writer. From the outside, online film critics share quite a bit with their Twitter troll counterparts.

The critical response to John Travolta's passion project Gotti has been less than favorable, in fact, it has been downright abysmal. A project over ten years in the making, Travolta has poured his heart and soul into this venture. And many writers seem to take pleasure in the film's failure.

I…
Read More >>

NO ALTERNATIVE review

By
Depression is often marked by sadness, despair, and hopelessness. The sense that things will not get better is something most of us pass through at different points in our lives. But depression is something more than that. It’s not just a temporary feeling, it’s a debilitating emotional state that you can’t simply pull yourself out of. The angry outbursts, irritability, and frustration that come along with depression can isolate individuals suffering from this condition and push them deeper into their own thoughts. Everyone needs to be heard and sometimes those who can’t express themselves in traditional forms find their voice in art.
Edvard Munch wrestled with agoraphobia and frequently had hallucinations, one of which inspired THE SCREAM, a painting so iconic that even the most casual art enthusiast is familiar with the piece.  Sylvia Plath took a more direct approach with THE BELL JAR and laid out the details of her depression with brutal honesty. Briana Dickerson a white suburba…
Read More >>

99 FROM 99: Cruel Intentions

By
On our latest episode of99 FROM 99, one host discovers some disturbing secrets about his co-host. All will be revealed in this episode on guilty pleasure CRUEL INTENTIONS! Namely that one host disagrees with the verdict of feeling guilt for enjoying this look at the cutthroat world of the powerful and wealthy transported to the realm of high school drama. Meanwhile the other host just feels bad for Selma Blair and all parties involved, including our dear listeners. Did we mention to give us a follow and a listen at the links below? Support what we do with bonus content and early episodes onPatreon Listen iTunes/Podbean Facebook/Instagram/Twitter: @99from99
Read More >>