SOBER CINEMA: Twenty Years Later - GREAT EXPECTATIONS and ZERO EFFECT

Twenty years ago on January 30th 1998, two cinematic characters who value their estrangement from the world presented the good and evil aspects of this lifestyle. In a modern retelling of Charles Dickens' GREAT EXPECTATIONS, Anne Bancroft takes out her heartbreak on two children who will grow up to be Gwyneth Paltrow and Ethan Hawke, while the world's greatest detective in ZERO EFFECT mainly just annoys his partner, much to our amusement. Maybe its being forced to read the novel in high school but we obviously lean towards the more comedic study of detachment as presented by Bill Pullman and Ben Stiller in Jake Kasdan's forgotten gem, but then again there may be something to The Florida Cinematic Universe starring Chris Cooper. Listen to our latest episode to see if we finally give this Dickens guy a break and follow at the links below:

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Richard Armitage interview on SLEEPWALKER

SLEEPWALKER is the latest film from director Elliott Lester. Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university's sleep research center for help. When she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways. In fact, every time she goes to sleep now, she wakes up in a slightly different version of her world. With the help of sleep researcher Dr. Scott White, she tries to work her way back to the reality she started in. But when they finally succeed, it’s revealed that Sarah’s world is not what she thought at all.

Today my guest is one of the stars SLEEPWALKER, Richard Armitage. Tonight we talk about his work on that film as well as his work as Thorin Oakenshiled in The Hobbit Films, as John Proctor in The Crucible, and his upcoming films Ocens 8 and the Julie Delpy directed film My Zoe.

Sleepwalker is Now Available on Digital HD and On Dem…

Internet Trolls and Critics in the Age of Rotten Tomatoes - A Look at the Critical Response to GOTTI

Hate, intolerance, and cruelty are the most valued currencies in the digital age. Online publications deal in the same eye-catching tabloid headlines that were once exclusive to rags like WEEKLY WORLD NEWS and the NATIONAL ENQUIRER. The monetization of clicks is ruining many forms of journalism and film criticism is just one of them. When organizations can see what headlines are generating revenue its only natural that sensationalism would start to rise. There is no consorted hivemind like conspiracy to destroy certain films but rather internet activity that has boosted a certain type of writer. From the outside, online film critics share quite a bit with their Twitter troll counterparts.

The critical response to John Travolta's passion project Gotti has been less than favorable, in fact, it has been downright abysmal. A project over ten years in the making, Travolta has poured his heart and soul into this venture. And many writers seem to take pleasure in the film's failure.

I…

NO ALTERNATIVE review

Depression is often marked by sadness, despair, and hopelessness. The sense that things will not get better is something most of us pass through at different points in our lives. But depression is something more than that. It’s not just a temporary feeling, it’s a debilitating emotional state that you can’t simply pull yourself out of. The angry outbursts, irritability, and frustration that come along with depression can isolate individuals suffering from this condition and push them deeper into their own thoughts. Everyone needs to be heard and sometimes those who can’t express themselves in traditional forms find their voice in art.
Edvard Munch wrestled with agoraphobia and frequently had hallucinations, one of which inspired THE SCREAM, a painting so iconic that even the most casual art enthusiast is familiar with the piece. Sylvia Plath took a more direct approach with THE BELL JAR and laid out the details of her depression with brutal honesty. Briana Dickerson a white suburba…

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