Twenty years ago on January 30th 1998, two cinematic characters who value their estrangement from the world presented the good and evil aspects of this lifestyle. In a modern retelling of Charles Dickens' GREAT EXPECTATIONS, Anne Bancroft takes out her heartbreak on two children who will grow up to be Gwyneth Paltrow and Ethan Hawke, while the world's greatest detective in ZERO EFFECT mainly just annoys his partner, much to our amusement. Maybe its being forced to read the novel in high school but we obviously lean towards the more comedic study of detachment as presented by Bill Pullman and Ben Stiller in Jake Kasdan's forgotten gem, but then again there may be something to The Florida Cinematic Universe starring Chris Cooper. Listen to our latest episode to see if we finally give this Dickens guy a break and follow at the links below:
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...