Here To Be Heard: The Story Of The Slits coming July 6th

MVD Entertainment Group has struck a deal with UK production and sales outfit Moviehouse Entertainment to bring the music-themed documentary HERE TO BE HEARD: THE STORY OF THE SLITS to North America.

The documentary thoroughly examines the world's first all girl punk band formed in London, 1976. As contemporaries of The Clash and The Sex Pistols, the band has been credited with pioneering the musical movement known as "Punky Reggae". HERE TO BE HEARD tells the complete story of THE SLITS and the lives of the women involved, from the very beggining to the band's end in 2010 with the death of lead vocalist Ari Up.

HERE TO BE HEARD features appearances by Viv Albertine (Slist guitarist), Ari Up (Slits vocalist), Palmolive (Slits founder / first drummer), Tessa Pollitt (Slits bass), Bruce Smith (Slits Second/PIL Drummer), Hollie Cook (Slits vocals / keys / percussion), Vivien Goldman (NYU's Punk Professor), Don Letts (former Slits manager and punk rock documentarian), Dennis Bovell (album producer), Paul Cook (Sex Pistols drummer), Gina Birch (Raincoats bass), Adrien Sherwood (producer / long time friend of the band) and many more. This deluxe DVD package includes previously unseen footage of the band, as well as photographs, & newspaper clippings.

HERE TO BE HEARD: THE STORY OF THE SLITS is one of Moviehouse Entertainnment's first in-house productions but is one of many music-related titles handled by the studio since its' inception in 2001. Other films include Live Forever, New York Doll, Be Here To Love Me: The Story of Townes Van Zandt, Scott Walker: 30 Century Man, Who Killed Nancy Moviehouse is also currently working on director Kriv Stenders' (Red Dog) The Go-Betweens: Right Here.

HERE TO BE HEARD: THE STORY OF THE SLITS can be purchased from the MVD store HERE.

Comments

THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

LAFF review A CROOKED SOMEBODY

2107
Directed By: Trevor White
Starring: Rich Sommer, Clifton Collins Jr., Joanne Froggatt, Amanda Crew, Ed Harris
Producers: Jason Potash, Paul Finkel, Tim White, Wayne L. Rogers Sales: CAA
Ambition is a powerful drug that can inspire positive change. It can force you outside of the comfortable boxes you place yourself in. It asks you to stretch and reimagine not only the person you are but the person you could be. Most great men and women have a deep relationship with what they see as their purpose. This is a personality trait never driven by or limited to the pragmatic and there in lies the problem. Logic be damned, when a sense of determination is your north star.
Michael Vaughn (Sommer) is an ambitious psychic on the road promoting a book that no one is buying. Using parlor tricks and audience plants Vaughn helps people "connect" with loved ones who have passed on. Somewhere in between a traveling preacher and a low-rent John Edwards he sees himself as a man destined …

SONG OF SOLOMON Review

Exorcism films do not begin and end with William Friedkin's THE EXORCIST. With entries as varied as BEETLEJUICE, CONSTANTINE, and THE RITE, the exorcism sub-genre of horror films is far more diverse than many immediately recognize.

With THE SONG OF SOLOMON director Stephen Brio has added a unique take on the possession movie. In his film, the Catholic church attempts to save the soul of Mary (Jessica Cameron) who appears to have been possessed after witnessing her father's brutal suicide.

Mary is off camera while her father takes his own life. In a scene that could play as a confessional or an accusation, the family's patriarch lists off the reasons why he is being forced to use his knife on Mary and himself. He details how they were a good, loving family and he can't understand why she is accusing him of abuse. Using demonic control as a metaphor for trauma survival is something so natural, I can't believe it's not woven into every film of this kind.

Jessic…

🅵🅾🅻🅻🅾🆆🅸🅽🅶 🅵🅸🅻🅼🆂

Search This Blog