The insanely versatile Marion Cotillard gives a near career best performance as Sandra in Jean-Pierre Dardenne and Luc Dardenne's TWO DAYS ONE NIGHT. This is a perfect example of minimalist storytelling allowing for performance and emotion to take center stage. Sandra (Cotillard) has come out of the hospital to some very unwelcome news, during her stay in the hospital she has been fired. The infinitely wise and spineless management decides, the only way Sandra can hope to stay employed at the factory is to convince her co-workers to give up their much-needed yearly bonuses. Now, over the course of one weekend, Sandra must confront each co-worker individually in order to win a majority of their votes before time runs out. With TWO DAYS, ONE NIGHT, the Dardennes have taken a simple but important look at how self interest plays into society. The story is straight forward and striped down but this is a powerful and honest portrayal of how we react in the face of compas