For all of our podcast valentines out there we present A Very Problematic Episode on how to lie, cheat, steal, and manipulate your way to success with the ladies. To do so, we of course don't share any actual life experience but take in a double feature of the 1955 LADYKILLERS starring Alec Guinness and the 2004 Coen brothers remake starring Tom Hanks. We look at not only the cultural differences between the English and American versions, but also how the 2004 version would be received in 2016. And of course some Batman and James Bond talk with guest Derek Stewart because... hashtags.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...