Skip to main content

Excision


2012
Directed By Richard Bates Jr



Starring: AnnaLynne McCord, Richard Bart, Ariel Winter, Traci Lords, Malcolm McDowell and John Waters

An awkward but intelligent teenage girl (McCord) obsessed with blood, surgery and losing her virginity struggles to save her sister.  I guess that sums up Richard Bates Jr.’s 2012 horror/comedy/mindfuck of a movie, but trust me when I say that it is far more than that brief summary. 
Excision has brilliant performances and style for any film maker let alone a first time director.  There are images in this film that will stay with me for years to come.  Bates takes shocking subject matter and photographs it like a sunset or a spotted owl, the grotesque is treated with reverence and awe. While that approach might have some people immediately crying torture porn or blood porn or perhaps some other buzzword that’s used in lieu of actual critical analysis, they would be flat out wrong. It’s that approach that allows the viewer into the mind of our protagonist. At first these glimpses into Pauline’s mind are played for comedic effect but as the film plays out we become more aware of how deeply troubled our teenage lead truly is. This film feels very deliberate and controlled. The pacing and mood shifts are all dealt with precision and care. Early on it becomes clear that we are in the hands of a storyteller who wants us to experience something unique. This is not a film that has style simply for the sake of having style. While the film is beautifully shot the look is always in service of the story.

The tone of this film shifts from fairly light to completely nuts. The tonal shift is gradual and while we are given hints throughout the film of how screwed up Pauline might be, like the people in her life we the viewers of this film overlook her behavior and ignore all the warning signs. We are shown what is clearly the behavior of someone in desperate need of psychological treatment and tell ourselves that she is just quirky and we are thereby complicit with her actions.  We are held responsible for one of the more troubling endings to a film that I have seen in a long time. This is not an easy film to watch but I’m glad that I have seen it and look forward to revisiting it in the near future.

Bates has a film scheduled for release later this year called Suburban Gothic and I have a feeling he might be a director to keep an eye on.

Excision is available on demand through Showtime and Starz for rental or digital purchase through Amazon, Vudu, iTunes and YouTube and by subscription service through Netflix


 Looks like you might have to rent this one.  If you are lucky enough to have a video store nearby chances are it’s a mom and pop operation so do us all a favor and please support them.

Popular posts from this blog

Explaining the Ending of MULHOLLAND DRIVE

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

4K Blu-ray Review: Drop (2025) — A Tense, Tech-Driven Thriller That Mostly Sticks the Landing

In Drop, director Christopher Landon (Freaky, Happy Death Day) crafts a nerve-wracking thriller centered on a devastating dilemma: would you take a life to save the ones you love? The story follows Violet, a widowed single mom attempting to re-enter the dating world after years of grief and recovery. Played with emotional precision by Meghann Fahy, Violet finds herself on a promising first date with the affable and seemingly genuine Henry (Brandon Sklenar) in an elegant, glass-walled Chicago restaurant. But their evening takes a sinister turn when Violet receives a disturbing message via a sleek, anonymous app called DigiDrop: if she doesn’t kill her date before the check arrives, her son and sister will die. What unfolds is a tightly wound 95-minute thriller that feels both classic and timely. The film builds its suspense through confinement, not action. Most of the story unfolds in real-time at their dinner table, creating a pressure-cooker environment that reflects Violet’s psycholo...