Star Wars Episode 7 Plot Revealed

Warning the article below might contain spoilers. Very broad spoilers. I wouldn't call them spoilers but hey some of you people are nuts about this shit. It is way too soon to tell if any of what is below is factual but for now we should treat it as conjecture. The plot as its described is vague but really interesting and I for one would be happy if this is the direction the new films are heading.

Taken from Bad Ass Digest

I'm going to keep this vague. I have no interest in spoiling Star Wars Episode VII, although I'm sure some people will find any information about the film's plot to be spoilery. If you're a spoilerphobe or want to go into Star Wars Episode VII totally, completely clean, stop reading now. If you want to know what, on a very basic and general level, is the premise of Star Wars Episode VII, read on.

Ready?

Imagine the standard Star Wars crawl, and when it ends the camera pans up to the stars. But instead of a spaceship zooming into frame we see... a hand! A severed hand, tumbling through space. A severed hand gripping a light saber.

That hand falls onto a desert planet, where it is discovered by characters who will be our heroes. One is Daisy Ridley. The other is John Boyega, who is playing someone trying to change his path in life (again, I'm keeping it vague here). They recognize the light saber as a Jedi relic and decide to return it to the proper people.

Their quest takes them off world, and they meet up with Han Solo and Chewbacca, who aren't flying around in the Millenium Falcon anymore but are piloting... well, that could be a spoiler. I'll leave it. Anyway, Han and Chewie recognize the light saber as Luke's, and they say they haven't seen their friend in thirty years, since the events of Return of the Jedi.

So begins a quest to find the missing Jedi Master. Meanwhile, on an ice planet, nefarious forces are building a super weapon, one capable of destroying not planets but entire solar systems...

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Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

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2107
Directed By: Trevor White
Starring: Rich Sommer, Clifton Collins Jr., Joanne Froggatt, Amanda Crew, Ed Harris
Producers: Jason Potash, Paul Finkel, Tim White, Wayne L. Rogers Sales: CAA
Ambition is a powerful drug that can inspire positive change. It can force you outside of the comfortable boxes you place yourself in. It asks you to stretch and reimagine not only the person you are but the person you could be. Most great men and women have a deep relationship with what they see as their purpose. This is a personality trait never driven by or limited to the pragmatic and there in lies the problem. Logic be damned, when a sense of determination is your north star.
Michael Vaughn (Sommer) is an ambitious psychic on the road promoting a book that no one is buying. Using parlor tricks and audience plants Vaughn helps people "connect" with loved ones who have passed on. Somewhere in between a traveling preacher and a low-rent John Edwards he sees himself as a man destined …

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Exorcism films do not begin and end with William Friedkin's THE EXORCIST. With entries as varied as BEETLEJUICE, CONSTANTINE, and THE RITE, the exorcism sub-genre of horror films is far more diverse than many immediately recognize.

With THE SONG OF SOLOMON director Stephen Brio has added a unique take on the possession movie. In his film, the Catholic church attempts to save the soul of Mary (Jessica Cameron) who appears to have been possessed after witnessing her father's brutal suicide.

Mary is off camera while her father takes his own life. In a scene that could play as a confessional or an accusation, the family's patriarch lists off the reasons why he is being forced to use his knife on Mary and himself. He details how they were a good, loving family and he can't understand why she is accusing him of abuse. Using demonic control as a metaphor for trauma survival is something so natural, I can't believe it's not woven into every film of this kind.

Jessic…

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