Skip to main content

The Day the Earth Stood Still


1951
Directed By Robert Wise
Starring Michael Rennie, Patricia Neal and Hugh Marlowe

Based on the short story Farewell to the Master, The Day the Earth Stood still is a 1951 anti-war film directed by Robert Wise. The film opens with a flying saucer landing at a baseball park in Washington DC. After landing a humanoid exits the craft and announces he has come in peace. The humanoid begins to approach a crowd that has formed and opens a small tube but before he can finish opening the tube he is quickly gunned down by an antsy soldier. Gort, a large robotic like being comes out of the saucer and begins to shoot ray beams from his face mask at all the soldiers weapons. In a matter of moments having neutralized all the weapons Gort is ordered to stop shooting by the humanoid.

They came in peace, bearing gifts and we shot them. The film clearly has an agenda and unlike Invasion of the Body Snatchers there is nothing subtle about its approach. The message is clearly laid out by our visitor and in turn the film wears its heart on its pacifist leaning sleeve. With lines like: “no war? That’s a good idea”, you would be hard pressed to miss the point of this film. While the film isn’t subtle it’s also not preachy.  I never found myself thinking “alright I get it” and that is a difficult balance to strike.

I've been going back and watching science fiction and horror films from the 50s and 60s lately and one thing has become abundantly clear, a great number of film makers who worked in genre pictures made intelligent films for adults that had scares and action but they also had heart and mind, something that is sadly missing from most modern horror and scifi.  The Day the Earth Stood Still earns its status as a classic rightfully. The film has a message but it goes down smooth and that message is timeless, something worth repeating.

Sadly, the remake of this film seemed to completely miss the point. Don’t bother watching it, please just go back and watch the original. I can see the remake was made with a competent cast and crew but they just didn’t crack the script, it felt flat and lifeless. Sure it had pretty special effects and plenty of loud noises but it was boring. The remake is great example of sound and fury signifying nothing. Thank you Billy Shakes.  


When I was watching this a friend came in and asked me if I was watching Leave it to Beaver. Yes this is a 60 year old black and white film that has been remade into a forgettable film starring Neo but if you are struggling to find something to watch on Netflix and you're thinking about re watching that last season of Supernatural give this one a shot. You won’t regret it.

Comments

Popular posts from this blog

Explaining the Ending of MULHOLLAND DRIVE

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

LOCKED Release Info

LOCKED follows Eddie (Bill SkarsgÄrd), a desperate man who breaks into a seemingly empty luxury SUV, only to find himself ensnared in a meticulously crafted trap. His captor? William (Anthony Hopkins), a vigilante with a twisted sense of justice. What starts as a simple break-in quickly spirals into a nightmare, as Eddie struggles to escape a vehicle designed to be his prison. With no way out and an unseen force pulling the strings, survival becomes a race against time in a ride where justice is anything but blind. This 95-minute thrill ride promises to keep audiences on edge by blending elements of survival horror and psychological warfare. Its confined setting turns an everyday luxury vehicle into an inescapable nightmare, and the ride explores themes of morality, punishment, and the true cost of justice. Only in Theaters on March 21. I love a limited-setting horror thriller. With limited settings, the film must rely more on character interactions and internal conflicts to create ten...