In this episode of War Machine vs. War Horse, the dog dies. This also is
the premise for Keanu Reeves to go on a rampage of revenge in the new
release JOHN WICK, as do we against cinema that portrays this act that
is known to produce tears the world over. The two dog hating films we
take to task are 2009's HACHI and 2012's FRANKENWEENIE. Thankfully the
former has the very handsome Richard Gere, and the latter is a visual
feast of a film even without the beauty of Gere.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...