Episode 135 of War Machine vs. War Horse: The Age of Adaline (Death Becomes Her vs. The Fountain)

Last time on War Machine vs. War Horse we looked at kids seeking immortality through music, but this time we skip all that hippie crap and get straight to how Blake Lively does it in THE AGE OF ADALINE. This inspires a look back at Meryl Streep and Goldie Hawn trying to conquer the aging process for reasons of vanity in DEATH BECOMES HER, going up against Hugh Jackman making the conquering of death the ultimate quest of love for Rachel Weisz, which has him traveling through time and space in THE FOUNTAIN. Michael Denniston and Emily Mackay also debate the ending of WOMAN IN GOLD, coming to the conclusion that it should have just ripped off the final scene of KILLING THEM SOFTLY.

MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

Blu-ray Review: Presence

Steven Soderbergh’s Presence is not just a ghost story—it’s a deeply personal, introspective, and stylistically daring supernatural thriller that stands out for its bold use of perspective and moral depth. Shot entirely from the first-person point of view of a spirit, the film immerses the viewer into the consciousness of an unseen entity navigating a family’s domestic unraveling. It’s not only a technical experiment, but a story with emotional weight, subtle revelations, and a chilling undercurrent of tragedy. Premiering at the 2024 Sundance Film Festival and released by Neon in early 2025, Presence has become a sleeper hit, earning $10.5 million on a modest $2 million budget. Directed, shot, and edited by Soderbergh, with a script from veteran screenwriter David Koepp, the film offers an experience that is simultaneously eerie, emotionally nuanced, and structurally inventive. From the very first frame, Presence makes its unique perspective clear. The camera doesn’t merely observ...

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