On this episode we celebrate the kickoff of the Christmas shopping season by giving our listeners the gift of a late review of the summer hit THE GIFT. This inspires a conversation on the gifts of the bullied with CARRIE and HEATHERS being our double feature of choice. Make sure to stick around until the end of the show for a bonus segment with our expert on all things young and virile, as the younger Dan from A Tale of Two Dans provides insight on these two films from the millenial generation.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...