On this episode we are inspired by David O. Russell’s new film JOY to look at life changing inventions for inventors on film with co-host Shane Conner and guest Patrick McGill of Role Play Craft. In FLASH OF GENIUS, Greg Kinnear plays a man whose passion for engineering destroys his personal and professional life when his design is stolen by the very car companies he attempted to help. However in TEMPLE GRANDIN we see Claire Danes playing a woman whose designs enable others to see the world as she does as she finds both personal and professional success on her own terms. But first, co-host Tangible Teddy is the only man willing to talk with me about the much loathed JOY.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...