On this episode I had the pleasure of forcing two other movie podcasters to experience first time watches of little seen films that deserve a big audience. That’s a not so subtle hint to our listeners to go check out 2001’s GHOST WORLD starring Thora Birch and Scarlett Johansson as two best friends fresh out of high school and facing an adulthood pulling them apart. This goes up against my favorite film of 2013, THE SPECTACULAR NOW starring Miles Teller and Shailene Woodley as opposites influencing each other in the present and future as they leave youth behind. Both of these great films square off in a conversation with Ryan Snelling of the Filmbeef podcast, but first, I talk with Nate of The Best and Worst of the Best podcast about one of the best films of 2015 which is new to DVD and VOD, JAMES WHITE.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...