On this episode I’m joined by this podcast’s resident therapist, Derek Stewart, who you may remember from the 45 YEARS episode, to plot against perfection. In GATTACA, Ethan Hawke plays a man whose future accomplishments have already been genetically determined at birth, and his plan with Jude Law to surpass them. Then we have THERE’S SOMETHING ABOUT MARY, where Ben Stiller and Matt Dillon attempt to scheme their way into Cameron Diaz's heart, in a film that presents a more horrifying present than seen in GATTACA’s future. But first we travel back to the past in the new screen version of Jesse Owens' story in RACE.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...