On this episode we torture our listeners by bringing back former guest Dave from the podcast Pop Culture Case Study and we also talk quite a bit about the response to torture in Kathryn Bigelow’s ZERO DARK THIRTY. That film goes up against Stanley Kubrick’s PATHS OF GLORY in a theme of characters reacting to the distance between themselves and the killings they decide on, inspired by new release EYE IN THE SKY.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...