THE HOLLOW in theaters October 7

From writer-director Miles Doleac and Academy Award Winning Producer Lisa Bruce (The Theory of Everything) The Hollow – in theaters October 7 from Uncork’d Entertainment.

James Callis (Bridget Jones’s Baby) stars in the suspense thriller of the year, a stylish and gripping hybrid of Blood Simple and Twin Peaks that’ll have audiences on the edge of their seat.

When a U.S. congressman's daughter passing through a small town in Mississippi dies in a mysterious triple homicide, a team of F.B.I. agents descends to investigate, the team's brilliant but jaded lead agent battling demons both past and present, as his beautiful, tough-as-nails partner tries to hold him and the case together. They find a struggling and corrupt sheriff's department, a shadowy and much-feared figure, who seems to be pulling all of the town's strings from his mansion on the edge of town and a local victim with a strange connection to a number of the town's most prominent figures.

The ensemble cast includes James Callis (TV's Battlestar Galactica, Bridget Jones’s Baby), Christiane Seidel (Boardwalk Empire) William Sadler (TV’s Hawaii Five-0, The Shawshank Redemption), William Forsythe (TV’s Boardwalk Empire, Daredevil), Miles Doleac (TV’s Containment, The Magnificent Seven) and Jeff Fahey (TV’s Lost, TV’s From Dusk Till Dawn : The Series).

The Hollow, also out day and date on VOD, will screen in the following theatres :

NY - Cinema Village
LA - Laemmle Theaters
Atlanta - Plaza Theater
Chicago - Facets Cinema
Cleveland - Tower City Cinemas
San Francisco - The Roxie
Houston - AMC Willowbrook
Boston - AMC Liberty Tree 20
Orlando - AMC Universal Cineplex
Washington D.C. - AMC Lexington
The Grand Theatre-Hattiesburg, MS
The Grand Theatre-D'Iberville, MS

Internet Trolls and Critics in the Age of Rotten Tomatoes - A Look at the Critical Response to GOTTI

Hate, intolerance, and cruelty are the most valued currencies in the digital age. Online publications deal in the same eye-catching tabloid headlines that were once exclusive to rags like WEEKLY WORLD NEWS and the NATIONAL ENQUIRER. The monetization of clicks is ruining many forms of journalism and film criticism is just one of them. When organizations can see what headlines are generating revenue its only natural that sensationalism would start to rise. There is no consorted hivemind like conspiracy to destroy certain films but rather internet activity that has boosted a certain type of writer. From the outside, online film critics share quite a bit with their Twitter troll counterparts.

The critical response to John Travolta's passion project Gotti has been less than favorable, in fact, it has been downright abysmal. A project over ten years in the making, Travolta has poured his heart and soul into this venture. And many writers seem to take pleasure in the film's failure.

I…

NO ALTERNATIVE review

Depression is often marked by sadness, despair, and hopelessness. The sense that things will not get better is something most of us pass through at different points in our lives. But depression is something more than that. It’s not just a temporary feeling, it’s a debilitating emotional state that you can’t simply pull yourself out of. The angry outbursts, irritability, and frustration that come along with depression can isolate individuals suffering from this condition and push them deeper into their own thoughts. Everyone needs to be heard and sometimes those who can’t express themselves in traditional forms find their voice in art.
Edvard Munch wrestled with agoraphobia and frequently had hallucinations, one of which inspired THE SCREAM, a painting so iconic that even the most casual art enthusiast is familiar with the piece. Sylvia Plath took a more direct approach with THE BELL JAR and laid out the details of her depression with brutal honesty. Briana Dickerson a white suburba…

THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

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