THE HOLLOW in theaters October 7

From writer-director Miles Doleac and Academy Award Winning Producer Lisa Bruce (The Theory of Everything) The Hollow – in theaters October 7 from Uncork’d Entertainment.

James Callis (Bridget Jones’s Baby) stars in the suspense thriller of the year, a stylish and gripping hybrid of Blood Simple and Twin Peaks that’ll have audiences on the edge of their seat.

When a U.S. congressman's daughter passing through a small town in Mississippi dies in a mysterious triple homicide, a team of F.B.I. agents descends to investigate, the team's brilliant but jaded lead agent battling demons both past and present, as his beautiful, tough-as-nails partner tries to hold him and the case together. They find a struggling and corrupt sheriff's department, a shadowy and much-feared figure, who seems to be pulling all of the town's strings from his mansion on the edge of town and a local victim with a strange connection to a number of the town's most prominent figures.

The ensemble cast includes James Callis (TV's Battlestar Galactica, Bridget Jones’s Baby), Christiane Seidel (Boardwalk Empire) William Sadler (TV’s Hawaii Five-0, The Shawshank Redemption), William Forsythe (TV’s Boardwalk Empire, Daredevil), Miles Doleac (TV’s Containment, The Magnificent Seven) and Jeff Fahey (TV’s Lost, TV’s From Dusk Till Dawn : The Series).

The Hollow, also out day and date on VOD, will screen in the following theatres :

NY - Cinema Village
LA - Laemmle Theaters
Atlanta - Plaza Theater
Chicago - Facets Cinema
Cleveland - Tower City Cinemas
San Francisco - The Roxie
Houston - AMC Willowbrook
Boston - AMC Liberty Tree 20
Orlando - AMC Universal Cineplex
Washington D.C. - AMC Lexington
The Grand Theatre-Hattiesburg, MS
The Grand Theatre-D'Iberville, MS

THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse

We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack?

MOVIES DISCUSSED THIS WEEK:

A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

LAFF review A CROOKED SOMEBODY

2107
Directed By: Trevor White
Starring: Rich Sommer, Clifton Collins Jr., Joanne Froggatt, Amanda Crew, Ed Harris
Producers: Jason Potash, Paul Finkel, Tim White, Wayne L. Rogers Sales: CAA
Ambition is a powerful drug that can inspire positive change. It can force you outside of the comfortable boxes you place yourself in. It asks you to stretch and reimagine not only the person you are but the person you could be. Most great men and women have a deep relationship with what they see as their purpose. This is a personality trait never driven by or limited to the pragmatic and there in lies the problem. Logic be damned, when a sense of determination is your north star.
Michael Vaughn (Sommer) is an ambitious psychic on the road promoting a book that no one is buying. Using parlor tricks and audience plants Vaughn helps people "connect" with loved ones who have passed on. Somewhere in between a traveling preacher and a low-rent John Edwards he sees himself as a man destined …

SONG OF SOLOMON Review

Exorcism films do not begin and end with William Friedkin's THE EXORCIST. With entries as varied as BEETLEJUICE, CONSTANTINE, and THE RITE, the exorcism sub-genre of horror films is far more diverse than many immediately recognize.

With THE SONG OF SOLOMON director Stephen Brio has added a unique take on the possession movie. In his film, the Catholic church attempts to save the soul of Mary (Jessica Cameron) who appears to have been possessed after witnessing her father's brutal suicide.

Mary is off camera while her father takes his own life. In a scene that could play as a confessional or an accusation, the family's patriarch lists off the reasons why he is being forced to use his knife on Mary and himself. He details how they were a good, loving family and he can't understand why she is accusing him of abuse. Using demonic control as a metaphor for trauma survival is something so natural, I can't believe it's not woven into every film of this kind.

Jessic…

🅵🅾🅻🅻🅾🆆🅸🅽🅶 🅵🅸🅻🅼🆂

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