Skip to main content

HAVENHURST review

2016
Directed by: Andrew C. Erin
Starring: Julie Benz, Fionnula Flanagan, and Belle Shouse
Written by: Daniel Farrands



Jackie (Julie Bez) is in need of some help, she needs a place to stay. A sanctuary where she can reflect on the past and quiet her demons. The guilt of losing her child and an ongoing struggle with addiction are consuming her every thought. In this regard, Havenhurst appears to be a godsend. An insanely beautiful gothic apartment complex where the rent is what you can afford and the house rules are simple enough: live a virtuous life and you can stay as long as you wish. Break the rules….

A terrifying opening sequence featuring a cameo from Daniel Harris (Halloween 4, The Last Boy Scout, Hatchet) goes a long way to establish the brutal tone of the film. Interestingly, Farrands was also the screenwriter for Halloween 6. A film that was supposed to feature a cameo from Harris. I’m not sure if her appearance in HAVENHURST was in any way a response to her not reprising her role as Jaime Lloyd in Halloween 6, but given all the drama that surrounded the production of that film, I wouldn’t be surprised.

HAVENHURST is one of the rare genre films that could work without the horror. While the horrific elements are immediately apparent, Erin seems more concerned with the character work than the effects and gags. He takes his time in introducing Jackie and allows the character to breathe. Benz is given the opportunity to fully realize Jackie before we see her put through hell. An effective technique that’s rarely used in modern horror, outside of arthouse fare like THE WITCH or THE BABDOOK.

An ongoing theme of the film is judgment. We as an audience are confident in our acumen. We see characters who are participating in some truly heinous acts and feel justified in wanting to see them get what they deserve…. and then we see it… The realization of our bloodlust is brutal and unnerving because we demanded it. Because we are culpable. Jackie is by no means a saint and in fact, has done some pretty terrible things. The question we are left with is whether or not the film will cast its judgment on her.

Benz who is best known for roles in DEXTER and HAWAII FIVE-O gives an outstanding performance as Jackie. The character is complex and layered. If executed by a lesser actress the film could have been utterly unwatchable. Instead, we see are drwan in by a woman who struggles with her past and is trying to put the pieces back together again.

The mark of a good horror film (for me) is one that gives me a few jumps and causes me to squirm in my chair. The mark of a great horror film is one where I would be happy to watch the characters in any setting, horror or otherwise. If there was a family drama about the Torrance family and they never made it to The Overlook, as long as it had been made by the same creative team, I’d be completely onboard. A film that focused on that day Jack Torrance broke Danny’s arm? Yeah, I’d watch that. Side note, don’t make that movie, it’s a terrible idea.

HAVENHURST Opens its Doors in Select Theaters and on Cable and Digital VOD February 10


Popular posts from this blog

MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

Blu-ray Review: Presence

Steven Soderbergh’s Presence is not just a ghost story—it’s a deeply personal, introspective, and stylistically daring supernatural thriller that stands out for its bold use of perspective and moral depth. Shot entirely from the first-person point of view of a spirit, the film immerses the viewer into the consciousness of an unseen entity navigating a family’s domestic unraveling. It’s not only a technical experiment, but a story with emotional weight, subtle revelations, and a chilling undercurrent of tragedy. Premiering at the 2024 Sundance Film Festival and released by Neon in early 2025, Presence has become a sleeper hit, earning $10.5 million on a modest $2 million budget. Directed, shot, and edited by Soderbergh, with a script from veteran screenwriter David Koepp, the film offers an experience that is simultaneously eerie, emotionally nuanced, and structurally inventive. From the very first frame, Presence makes its unique perspective clear. The camera doesn’t merely observ...