War Machine vs. War Horse: The Circle (Brazil vs. A Scanner Darkly)

For episode 300 we did not select that particular Zack Snyder "classic" but we do have a number of guests doing their best readings from that film. Dwight of The Broken Brain, Dave of Pop Culture Case Study, Jairo of The True Bromance Film Podcast, Jason of Atlantic Screen Connection, Kevin of Cinema Geeks, Daniel of Get Reel Movies, and Jess & Non of Joy Sandwich are all here to blot out the podcast sun as we debate Our Future Identity as seen in new release THE CIRCLE. This disappointment leads us to look back at alternate futures in Terry Gilliam's BRAZIL and Richard Linklater's A SCANNER DARKLY. All of this and a debate on the future of cinema, Netflix, Marvel, podcasting, and the very nature of good and evil as seen in our hosts Chris and Mike.

A breezy podcast listen all around. Thanks supporting any of the first 300 episodes, we promise at least two more.

Twitter/Instagram/Letterboxd: @warmachinehorse

You can also support this show with a donation on Patreon to get extra episodes or to program an episode with a film of your choosing.

MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

Blu-ray Review: Presence

Steven Soderbergh’s Presence is not just a ghost story—it’s a deeply personal, introspective, and stylistically daring supernatural thriller that stands out for its bold use of perspective and moral depth. Shot entirely from the first-person point of view of a spirit, the film immerses the viewer into the consciousness of an unseen entity navigating a family’s domestic unraveling. It’s not only a technical experiment, but a story with emotional weight, subtle revelations, and a chilling undercurrent of tragedy. Premiering at the 2024 Sundance Film Festival and released by Neon in early 2025, Presence has become a sleeper hit, earning $10.5 million on a modest $2 million budget. Directed, shot, and edited by Soderbergh, with a script from veteran screenwriter David Koepp, the film offers an experience that is simultaneously eerie, emotionally nuanced, and structurally inventive. From the very first frame, Presence makes its unique perspective clear. The camera doesn’t merely observ...

FOLLOWING FILMS

Search This Blog