Skip to main content

SHOT in Theaters Sept 22nd



SHOT begins as sound mixer Mark Newman (Wyle), is pumping up the volume on a bloody shootout scene in an action film. Hours later, after an argument with his wife Phoebe (Leal), Mark is suddenly felled by a real random bullet, and lies bleeding on the pavement with a chest wound. With Phoebe desperately trying to stop the bleeding, they both agonizingly wait for an ambulance to arrive as Mark fights for his life. Meanwhile, hidden behind a fence across the street, a teenager, Miguel (Lendeborg), watches in horror with the still smoking gun in his hand. A gun that was just handed to him by his cousin and meant to protect him against gang bullies.

From the moment the shot rings out, Kagan's camera in real time daringly follows Mark from the street, to stretcher, to gurney, to examining table, as we watch the paramedics and medical teams in full life-saving mode. Through the imaginative use of split-screen, Kagan juxtaposes Mark's medical crisis with Miguel's moral one, as we simultaneously see the frightened young man wrestle with the fact that an innocent man was injured - or worse - as a direct result of his actions. 

SHOT is directed by Jeremy Kagan and written by Anneke Campbell and Will Lamborn, based on a story by Kagan. The film stars Noah Wyle, Sharon Leal, and Jorge Lendenborg Jr. Producers are Jeremy Kagan, Dave O’Brien, and Josh Siegel. Cinematography by Jacek Laskus, editing by Norman Hollyn, and original music by Bruce Broughton.


SHOT will be opening in the following markets:

Los Angeles - Laemmle's Monica Film Center
New York - Village East Cinema 
Baltimore - AMC Owing Mills 
Chicago - AMC South Barrington 24
Detroit - AMC Star Southfield 20
Philadelphia - AMC Franklin Mills
St. Louis - AMC West Olive 16
Washington DC / Alexandria VA - AMC Hoffman Center 22
Milwaukee - AMC Mayfair 18
New Orleans - AMC Elmwood Palace 2



Comments

Popular posts from this blog

Trainwreck

No contemporary filmmaker has chronicled the messy human experience with the eye and ear of a comedic cultural anthropologist like JUDD APATOW. Hits as varied as those he’s directed, like Knocked Up and The 40-Year-Old Virgin, and those he’s produced, like Superbad and Bridesmaids, are all unified by their honest, unflinching, comic look at how complicated it is to grow up in the modern world. Apatow has also built a history of helping break distinctive new comedy voices into the mainstream, from Seth Rogen to Lena Dunham, among many others. Now, in his fifth feature film as a director, Apatow again brings a portrait of an unforgettable character, and a portrayal by a breakout new comedy star, together in a film written by and starring AMY SCHUMER (TV’s Inside Amy Schumer) as a woman who lives her life without apologies, even when maybe she should apologize. U n d o u b t e d ly, S c h u m e r h a s b e e n s t e a d i ly achieving cultural notoriety of her own. From her bruta

THE True Bromance Film Podcast - Spider-Man: Into the Spider-Verse

Episode 208 - Spider-Man: Into the Spider-Verse We like to keep up with the latest and greatest in the film universe so for this episode we're dialing up Spider-Man: Into the Spider-Verse. In a world where superhero films saturate the market, can an animated feature distinguish itself from the pack? MOVIES DISCUSSED THIS WEEK: A Fistful of Dollars, The Favourite, Skyscraper, The Meg, RBG, Ant-Man and the Wasp, Searching, Spider-Man: Into the Spider-Verse

THE True Bromance Film Podcast - Inglourious Basterds

Episode 219 - Inglourious Basterds This week we are celebrating 10 years of Brad Pitt and his band of merry men wreaking havoc in Nazi Germany in Quentin Tarantino's masterpiece, Inglourious Basterds.