Hungover from Christmas? Well we have two movies that feel like a hangover (and not THE HANGOVER which one of these films hoped for) in our latest offering during the holiday season. On December 9, 2016 two films focusing on the combustible combination of comedy and careers arrived like a lump of coal: OFFICE CHRISTMAS PARTY got a wide release and achieved modest box office success, while THE COMEDIAN starring Robert De Niro premiered in limited release in pursuit of Oscar glory. It is not a spoiler to say that neither film presented on this podcast won any Academy Awards. Which puts these films in the appropriate company of your hosts of SOBER CINEMA! Enjoy(ish).
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...