Our first cult classic from 1999 is the Mike Judge film OFFICE SPACE which one of our hosts gets to say with some degree of pride that he was an early adopter, having seen it in its failed theatrical run. However most caught up with this on video and now we look back at this often quoted film and find the complaints of our heroes in this film to possibly be unrelatable in the 2018 work environment. Join us with your minimum 15 pieces of flair and a couple of earbuds and take a trip with us to the simpler days of the working man's dreams.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...