Welcome to the first episode of 99 FROM 99 and join us as we take a chronological look back at the films from 1999, the greatest year in movies! Your hosts Michael Denniston and Ben Zuk begin, as most years at the cinema do, with the entertainment with no hope for Oscar gold... but maybe, just maybe, a whipped cream bikini temptress will prove enough. VARSITY BLUES and SHE'S ALL THAT were early box-office hits of this year, and we'll see how they hold up now that your hosts are decidedly not in the target demographic, BUT the waves of nostalgia may be just strong enough to break them. Find out if our hosts and this podcast survive by hitting that play button!
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...