Six years ago on February 3, 2012 this great country experienced two hauntings and the invasion of Daniel Radcliffe yet again to the top of the box office charts. And although THE WOMAN IN BLACK was popular enough to spawn a sequel (which was not so popular) we take this as an opportunity to play catch up with this ghost story as well as the one presented in Ti West's THE INNKEEPERS which had its limited release on the same weekend. Along the way we debate the roles chosen by the man previously known as Harry Potter, and also if a grown man is allowed to have a crush on Sara Paxton (SPOILER: Google says yes). Speaking of spoilers, stick around until the end of the episode as we debate both twist endings and how they add to the enjoyment of both films. Add to the enjoyment of your daily life by following us at the links below:
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...