Skip to main content

The Toronto True Crime Film Festival Film Submissions Now Open



The Toronto True Crime Film Festival will have its first annual edition this June 8th - 9th, 2018 at The Royal Cinema in Toronto. Over the course of its two-night, five-screening run, the festival will showcase short and feature-length films surrounding the topic of true crime. TTCFF will spotlight both documentaries and fictionalized films based on true crimes, as well as include a retro screening, multimedia presentations, and panel discussions.

Toronto True Crime Film Festival was born from one simple statement verbalized by Lisa Gallagher—an avid cinephile and lifelong true crime fanatic—during the course of a five hour train trip to Montréal’s Fantasia International Film Festival with her partner Steven Landry: “Somebody should start a festival that's just true crime movies!”. Soon after, the pair—who themselves have worked for a number of film festivals and screening series—put together a talented team of individuals to help make the whole thing happen. TTCFF is organized by Lisa Gallagher (programmer at Saskatoon Fantastic Film Festival, formerly producer of The MUFF Society screening series), Steven Landry (Programming Director at Saskatoon Fantastic Film Festival and programmer at Ithaca Fantastik, Toronto After Dark Film Festival), Kier-La Janisse (owner/artistic director of Spectacular Optical Publications, founder of The Miskatonic Institute of Horror Studies), Gina Rim (staff at imagineNATIVE Film + Media Arts Festival and Toronto Reel Asian International Film Festival), and Jeff Wright (founder of Refocus film series and Programmer at Calgary Underground Film Festival, CUFF Docs). Elizabeth Munro and Claire Bonduro also join the festival team as staff with academic backgrounds in justice services, victims advocacy, and criminology.

"From murders to misdemeanors, victims to law enforcement, perpetrations to incarcerations, I want TTCFF to cover every aspect of true crime from every angle and every perspective. It is my goal to offer diverse programming that will both appeal to a wide range of attendees and represent a variety of different filmmakers and creatives." - Lisa Gallagher, Festival Director

TTCFF is currently assembling an advisory committee and is proud to announce acclaimed New Zealand producer Anthony Timpson (The Field Guide to Evil, Deathgasm, Turbo Kid, The ABCs of Death) has joined us ahead of the first edition.

"Someone once said, "you can lie through your teeth but your teeth don't lie", which is a succinct summation of my fascination for true crime and why I find the idea of a film festival solely devoted to it compelling and long overdue.” says Anthony Timpson. “I lived in Los Angeles in the late '70s when newspaper headlines were filled with bodies being dumped or discovered; it felt like your chances of being murdered stepping outside were pretty high, and the fear transformed into an addiction. Ever since then I've been obsessed with true crime in literature and film, amassing paraphernalia and a large library, and programming true crime content for my own festival and others. I feel a have a solid historical perspective to work from and look forward to being on the advisory committee."

Popular posts from this blog

Explaining the Ending of MULHOLLAND DRIVE

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

4K Blu-ray Review: Drop (2025) — A Tense, Tech-Driven Thriller That Mostly Sticks the Landing

In Drop, director Christopher Landon (Freaky, Happy Death Day) crafts a nerve-wracking thriller centered on a devastating dilemma: would you take a life to save the ones you love? The story follows Violet, a widowed single mom attempting to re-enter the dating world after years of grief and recovery. Played with emotional precision by Meghann Fahy, Violet finds herself on a promising first date with the affable and seemingly genuine Henry (Brandon Sklenar) in an elegant, glass-walled Chicago restaurant. But their evening takes a sinister turn when Violet receives a disturbing message via a sleek, anonymous app called DigiDrop: if she doesn’t kill her date before the check arrives, her son and sister will die. What unfolds is a tightly wound 95-minute thriller that feels both classic and timely. The film builds its suspense through confinement, not action. Most of the story unfolds in real-time at their dinner table, creating a pressure-cooker environment that reflects Violet’s psycholo...