THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT Fantasia 2018 Review

Directed by: Robert D. Krzykowski
Starring: Sam Elliott, Adrian Turner, Caitlin FitzGerald, Ron Livingston, and Larry Miller

The 22nd edition of Montreal's Fantasia International Film Festival was the site for the world premiere of Robert D. Krzykowski's THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT on July 20th, 2018. The film has easily one of the best titles I've seen in years and somehow manages to subvert the expectations of a name like that and deliver something far more interesting and sober.

Calvin Barr (Elliot) is a legendary World War II veteran who has the distinction of being the man who secretly assassinated Adolf Hitler. An act that has left him with remorse and regret. He quite possibly saved millions of lives but he killed a man, no matter how justified, at the end of the day he still carries the weight of that one moment. Killing Hitler forever changed the course of history and in turn destroyed his life. As we meet Calvin he is in the twilight of his life and coming to terms with the decisions he has made. Making peace with a life he would not have chosen. In the middle of this process, he gets a visit from the FBI and Royal Canadian Mounted Police. They need him to assassinate another threat to world peace, Bigfoot.

It's hard to believe that this is writer/director Robert D. Krzykowski first feature, the film is incredibly accomplished from both a visual and narrative perspective. Having effects by Douglas Trumbull (2001: A SPACE ODYSSEY, BLADE RUNNER) probably goes a long way in giving the film a more mature look. Trumbull also co-produced the film with John Sayles and Lucky McKee. Yes, this weird little meditation on guilt through the lens of Bigfoot and Hitler has one hell of a pedigree.

The film manages to strike a near perfect balance between the comedic/action/horror moments that you might expect from a film with a title like this and the genuine pathos that Elliot brings to the role. Elliot manages to create a grounded, deeply empathetic character that exists in a batshit crazy world. Krzykowski skillfully weaves those two worlds together and manages to make them compliment one another. In lesser hands, the shifting tones and genres would be jarring but Krzykowski moves between them with grace and confidence.

A surprisingly poignant take on old age THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT is one of the most strikingly original films to have screened at this year's Fantasia. While viewers will undoubtedly go into this expecting an exploitation riff on WW2 and monster movies, if they are open to it, they might get something they need instead of something they thought they wanted.

MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

LOCKED Release Info

LOCKED follows Eddie (Bill Skarsgård), a desperate man who breaks into a seemingly empty luxury SUV, only to find himself ensnared in a meticulously crafted trap. His captor? William (Anthony Hopkins), a vigilante with a twisted sense of justice. What starts as a simple break-in quickly spirals into a nightmare, as Eddie struggles to escape a vehicle designed to be his prison. With no way out and an unseen force pulling the strings, survival becomes a race against time in a ride where justice is anything but blind. This 95-minute thrill ride promises to keep audiences on edge by blending elements of survival horror and psychological warfare. Its confined setting turns an everyday luxury vehicle into an inescapable nightmare, and the ride explores themes of morality, punishment, and the true cost of justice. Only in Theaters on March 21. I love a limited-setting horror thriller. With limited settings, the film must rely more on character interactions and internal conflicts to create ten...

POPULATION PURGE Trailer and Release Info

In a dystopian world where a radical government has unleashed a deadly poison to control population, only those with blood type AB positive remain unscathed. But instead of outright death, the rest of the population is left to suffer in a state of chronic illness, causing widespread chaos and panic. As the majority slowly succumbs to the effects of the poison, their only hope lies in receiving transfusions of AB positive blood from the few immune survivors, like Charlie and his granddaughter Maya. Living in the decrepit remains of an abandoned amusement park, Charlie is a renegade supplier of blood to the underground market. But their sanctuary is threatened by the iron-fisted rule of District 22's ruthless warden, Onslow, who will stop at nothing to save his own dying son. As Charlie and Maya fight to defend their haven and their own sanity, the eccentric duo must navigate through a world of danger and betrayal. POPULATION PURGE was written by Brian Johnson and Toby Osborne and di...

FOLLOWING FILMS

Search This Blog