In Die in a Gunfight, Mary (Alexandra Daddario) and Ben (Diego Boneta) are the star-crossed black sheep of two powerful families engaged in a centuries-long feud – and they’re about to reignite an affair after many years apart. Their forbidden love will trigger the dominoes that will draw in Mukul (Wade Allain-Marcus), Ben’s best friend, who owes him a life debt; Terrence (Justin Chatwin), Mary’s would-be protector-turned-stalker; Wayne (Travis Fimmel), an Aussie hitman with an open mind and a code of ethics; and his free-spirited girlfriend, Barbie (Emmanuelle Chriqui). As fists and bullets fly, it becomes clear that violent delights will have violent ends.
David Lynch’s Mulholland Drive remains one of the most haunting and enigmatic films ever made. It operates like a riddle that refuses to be solved, luring the viewer into a world where time, memory, and identity dissolve into one another. What begins as a mysterious, almost whimsical Hollywood fairy tale gradually transforms into a psychological nightmare. By the end, it’s clear that what we’ve been watching is not a mystery to be unraveled but an emotional landscape, the mind of a woman caught between fantasy and despair. The film tells the story of two women, Betty Elms and Rita, whose lives intertwine after Rita survives a car crash and loses her memory. Betty, a bright and optimistic aspiring actress freshly arrived in Los Angeles, takes her in. Together, they embark on an investigation into Rita’s identity, which unfolds like a noir detective story bathed in dreamlike light. Everything about this world feels heightened: Betty’s charm, the coincidence of events, and the ease with w...

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