Today I'm joined by the acclaimed editor Amy E. Duddleston to discuss how she made it from our shared home of Tucson AZ to cutting one of the most impressive limited series of the last decade, MARE OF EASTTOWN. We also discuss her work on MY OWN PRIVATE IDAHO, TO DIE FOR, Gus Van Sant's PSYCHO, and... the beyond questionable product of its time REVENGE OF THE NERDS.
David Lynch’s Mulholland Drive remains one of the most haunting and enigmatic films ever made. It operates like a riddle that refuses to be solved, luring the viewer into a world where time, memory, and identity dissolve into one another. What begins as a mysterious, almost whimsical Hollywood fairy tale gradually transforms into a psychological nightmare. By the end, it’s clear that what we’ve been watching is not a mystery to be unraveled but an emotional landscape, the mind of a woman caught between fantasy and despair. The film tells the story of two women, Betty Elms and Rita, whose lives intertwine after Rita survives a car crash and loses her memory. Betty, a bright and optimistic aspiring actress freshly arrived in Los Angeles, takes her in. Together, they embark on an investigation into Rita’s identity, which unfolds like a noir detective story bathed in dreamlike light. Everything about this world feels heightened: Betty’s charm, the coincidence of events, and the ease with w...
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