Following Films Podcast: ARCADIAN and BLACKOUT Interviews (Jaeden Martell, Maxwell Jenkins, and Larry Fessenden)

Thank you for listening to the Following Films Podcast. Today I have two interviews. Up first I’m joined by Jaden Martell and Maxwell Jenkins to discuss their work on the new Nicholas Cage starring film ARCADIAN. The film is set in the near future, where normal life on Earth has been decimated. Paul and his two sons, Thomas and Joseph, have been living a half-life – tranquility by day and torment by night. Every night, after the sun sets, they face the unrelenting attacks of a mysterious and violent evil. One day, when Thomas doesn't return home before sundown, Paul must leave the safety of their fortified farm to find him. A nightmarish battle ensues that forces the family to execute a desperate plan to survive.

Then after the break, I’m joined by Larry Fessenden to discuss his latest film BLACKOUT. Writer-director Larry Fessenden has created some of the most original and memorable independent horror films of the last 25 years. His latest, BLACKOUT, ranks among his most chilling and thought-provoking works. In the film, when the sun goes down, Charley has convulsions while driving his car, he goes off the road and ends up in a ditch. Charley, it seems, is a werewolf. He attacks his rescuers and moves through the outskirts of town at night wreaking havoc. But the next day he can’t remember the things he’s done. Now the tight-knit town must rally to find out what is tearing it apart: mistrust, fear, or a vicious monster.

ARCADIAN is in theatres now and BLACKOUT is available on VOD.

Explaining the Ending of MULHOLLAND DRIVE

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

Final Destination Bloodlines Set to Bring Fresh Horrors to the Franchise

The long-running and fan-favorite horror series Final Destination is set to make its return with Final Destination Bloodlines, bringing a new chapter of supernatural terror to the big screen. Scheduled for a theatrical and IMAX release on May 16, 2025, in the U.S. (and internationally beginning May 14), the film promises to continue the franchise’s tradition of chilling premonitions and inescapable fate. The upcoming installment features a fresh ensemble cast, including Kaitlyn Santa Juana (The Friendship Game, The Flash), Teo Briones (Chucky, Will vs. The Future), Richard Harmon (The 100, The Age of Adaline), Owen Patrick Joyner (Julie and the Phantoms, 100 Things to Do Before High School), and Anna Lore (They/Them, Gotham Knights). Also joining the cast are Brec Bassinger (Stargirl, Bella and the Bulldogs) and horror icon Tony Todd, who reprises his role from the original Final Destination films. Todd, best known for his chilling portrayal of the titular character in the Candyman fra...

4K Blu-ray Review: Drop (2025) — A Tense, Tech-Driven Thriller That Mostly Sticks the Landing

In Drop, director Christopher Landon (Freaky, Happy Death Day) crafts a nerve-wracking thriller centered on a devastating dilemma: would you take a life to save the ones you love? The story follows Violet, a widowed single mom attempting to re-enter the dating world after years of grief and recovery. Played with emotional precision by Meghann Fahy, Violet finds herself on a promising first date with the affable and seemingly genuine Henry (Brandon Sklenar) in an elegant, glass-walled Chicago restaurant. But their evening takes a sinister turn when Violet receives a disturbing message via a sleek, anonymous app called DigiDrop: if she doesn’t kill her date before the check arrives, her son and sister will die. What unfolds is a tightly wound 95-minute thriller that feels both classic and timely. The film builds its suspense through confinement, not action. Most of the story unfolds in real-time at their dinner table, creating a pressure-cooker environment that reflects Violet’s psycholo...

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