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THE EXORCISM Review


Directed by: Joshua John Miller

Starring: Russell Crowe, Ryan Simpkins, Sam Worthington, Chloe Bailey, Adam Goldberg & David Hyde Pierce

Russell Crowe's recent foray into genre fare with roles in films like "The Pope's Exorcist", "Sleeping Dogs", "Unhinged" and now, "The Exorcism," has injected a refreshing dose of the unexpected into his career. Unlike many actors who meticulously sculpt every aspect of their vocation, Crowe dives headfirst into these unconventional roles with unyielding commitment. This uninhibited enthusiasm adds a captivating layer to his performances, whether he's playing God in "Thor: Love and Thunder" or a true threat to humanity as Roger Ailes in "The Loudest Voice", the films may be all over the map in terms of quality, but he is always interesting.

In "The Pope's Exorcist," Crowe charmed audiences with his portrayal of a scooter-riding Italian priest, his deadpan humor perfectly countering the demonic presence. In "The Exorcism," however, he takes a more serious turn, tackling straight-faced satanic horror. Directed by Joshua John Miller, son of the original "The Exorcist" Father Damien Karras portrayer, the film aspires to the legacy of its predecessor.

Crowe takes on the role of Anthony Miller, a washed-up actor seeking redemption through a film that eerily mirrors "The Exorcist." This narrative twist offers a clever turn, blurring the lines between Anthony's demons and the demons he portrays on screen. His character grapples with past traumas of addiction and abuse, adding layers of complexity that Crowe masterfully captures. His performance is a convincing portrayal of a man haunted by his past, his anguish and emotional scars palpable.

The film's chilling atmosphere, accentuated by the cold and dark sound stage, effectively ratchets up the tension. Crowe's interactions with Lee, his estranged daughter, and the gentle Father Conor (played by David Hyde Pierce), provide a welcome human touch, weaving a narrative that intertwines personal redemption with supernatural horror. While the climax might leave some viewers wanting more resolution, Crowe's unwavering performance remains a highlight, ensuring "The Exorcism" offers something unique in the ever-growing pantheon of exorcism films.

Crowe's dedication to unconventional roles, particularly those in the horror space, is truly commendable. Should he continue down this path, audiences can expect to be consistently surprised and entertained by his unique and captivating portrayals.

"The Exorcism" is in theatres now.

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