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The Million Eyes of Sumuru directed by Lindsay Shonteff and released in 1967, is a fascinating entry into the realm of mid-20th-century spy thrillers. Often overshadowed by its more famous contemporaries, this film offers a unique blend of adventure, espionage, and camp, making it a curious watch for fans of the genre.
The film is based on the character Sumuru, created by Sax Rohmer, who is perhaps best known for his creation of the sinister Dr. Fu Manchu. Sumuru, however, is a different beast entirely—a glamorous, enigmatic femme fatale with grand designs for world domination. The character of Sumuru, played by the striking Shirley Eaton, exudes an aura of both allure and danger, making her an iconic figure in the realm of villainy.
Shirley Eaton, who gained fame for her role as the golden girl in Goldfinger, brings a compelling mix of sophistication and menace to her portrayal of Sumuru. Eaton's performance is one of the film's highlights, effortlessly blending charm with a cold, calculating demeanor. Her Sumuru is a formidable adversary, not just through her physical presence but through her intellectual prowess and strategic acumen.
The plot of The Million Eyes of Sumuru revolves around a nefarious plot hatched by Sumuru to conquer the world through her army of female agents. Her plan is elaborate, involving a combination of high-tech gadgets and old-fashioned espionage. The story kicks off with a series of mysterious disappearances and the theft of valuable secrets, which prompts a global investigation led by the intrepid hero, played by Frankie Avalon. Avalon, known primarily for his work in beach party movies, adds an interesting dimension to the film with his portrayal of the suave, yet somewhat naive secret agent.
The film’s script, penned by the versatile Michael Winder and adapted from Sax Rohmer's original stories, offers a mix of intrigue, action, and occasional moments of unintentional humor. The dialogue is sharp and engaging, though it occasionally veers into melodramatic territory. The film’s pacing is brisk, keeping the audience engaged with its constant twists and turns, though some of the plot developments stretch credibility.
One of the standout features of the film is its production design. The set pieces, while not as elaborate as those found in big-budget spy films of the era, are nonetheless charming in their own right. The film’s depiction of Sumuru’s lair, with its stylish and somewhat campy aesthetic, adds to the overall allure of the film. The costumes and set designs are a testament to the era's fascination with the exotic and the opulent, contributing to the film's unique visual style.
The action sequences, though not as elaborate as those in contemporary spy films, are entertaining in their own right. The choreography is straightforward, but it effectively conveys the tension and excitement of the espionage world. The film’s reliance on gadgets and clever inventions, while sometimes cheesy, adds a nostalgic charm that fans of the genre will appreciate.
Musically, the film features a score that complements its adventurous tone. The soundtrack, though not particularly memorable, enhances the overall atmosphere and adds to the sense of excitement. The film's use of music is effective in building suspense and highlighting key moments, even if it lacks the sophistication of more renowned scores.
Despite its many strengths, The Million Eyes of Sumuru is not without its flaws. The film’s budgetary constraints are apparent in some of its more ambitious scenes, and certain elements of the plot can seem dated or implausible by modern standards. Additionally, the film’s portrayal of its female characters, while central to the plot, occasionally veers into problematic stereotypes. However, these issues are tempered by the film's overall sense of fun and its commitment to delivering an entertaining, if somewhat campy, experience.
The Million Eyes of Sumuru is a charming and enjoyable example of 1960s spy cinema. It offers a unique blend of adventure, intrigue, and camp, anchored by a standout performance from Shirley Eaton. While it may not reach the heights of some of its more famous counterparts, it remains a worthwhile watch for fans of the genre and those interested in exploring the lesser-known corners of mid-century cinema. Its distinctive style, engaging plot, and memorable performances make it a hidden gem worth discovering.
While it may not be a masterpiece of filmmaking, it is a fun and enjoyable ride that is well worth watching and Blue Underground's treatment of the 4K transfer is nothing short of remarkable.
Bonus Features:
- Audio Commentary with Film Historian David Del Valle and Dan Marino
- Audio Commentary with Film Historians Nathaniel Thompson and Troy Howarth
- RiffTrax Edition with Mike Nelson, Bill Corbett & Kevin Murphy
- Feature Length Documentary: The Schlock-Cinema Legacy of Lindsay Shonteff
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