Welcome to another episode of the Following Films Podcast! In this episode, I sit down with the incredible Stephen Graham Jones, celebrated author and horror mastermind, to discuss his recent participation in the documentary series First Word on Horror. We’ll unpack his unique perspective on the genre, I ask highly specific questions about The Only Good Indians, we chat about Wes Craven’s iconic Scream, a film that redefined the slasher genre—along with some fun tangents, including my (possibly) miscredited nod to the house from Wes Craven’s New Nightmare. Is that Mike DeLuca's house? So sit back, relax, and join us for a conversation full of surprises, insights, and, of course, a little horror. For more information on First Word on Horror, visit etchstudio.substack.com.
David Lynch’s Mulholland Drive remains one of the most haunting and enigmatic films ever made. It operates like a riddle that refuses to be solved, luring the viewer into a world where time, memory, and identity dissolve into one another. What begins as a mysterious, almost whimsical Hollywood fairy tale gradually transforms into a psychological nightmare. By the end, it’s clear that what we’ve been watching is not a mystery to be unraveled but an emotional landscape, the mind of a woman caught between fantasy and despair. The film tells the story of two women, Betty Elms and Rita, whose lives intertwine after Rita survives a car crash and loses her memory. Betty, a bright and optimistic aspiring actress freshly arrived in Los Angeles, takes her in. Together, they embark on an investigation into Rita’s identity, which unfolds like a noir detective story bathed in dreamlike light. Everything about this world feels heightened: Betty’s charm, the coincidence of events, and the ease with w...

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